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Day: June 29, 2025

Reviews

Zoom B1X Four: Pedal Review

A Gateway to Creative, Affordable Bass Tone The Zoom B1X Four is not just a multi-effect pedal — it’s a game-changer for beginners, home studio players, and even pros who want a compact rig for practice, writing, or fly dates. Retailing at a fraction of the cost of most single boutique pedals, it offers a staggering variety of tones, amp models, effects, and tools. The “X” version adds an expression pedal, which significantly expands its usability, especially for real-time control of volume, filter, pitch, or modulation effects. Make no mistake — this is a budget pedal, built with cost-saving in mind. But within its humble plastic housing lives a powerful sound engine and a highly functional layout that puts a ton of sonic exploration at your fingertips. What You Get for the Price The Zoom B1X Four includes: All this in a small footprint and at a cost often lower than a single mid-range overdrive pedal. Sound Quality and Performance Let’s get this clear: is it studio-grade, boutique-level sound? No. But that’s not what this pedal is trying to be. What the B1X Four does offer is incredibly usable, musical tone that can be customized, layered, and dialed in for almost any playing style. Many of the effects are very well-voiced for bass and have clearly been optimized to preserve low-end integrity — a frequent issue in cheaper multi-FX units. Effects Highlights: Amp Modeling is a strong suit. The SVT, Bassman, and Hartke-style models offer distinct voices and enough EQ flexibility to anchor a solid DI tone. Through headphones, they can get you surprisingly close to a “real amp” feel. In live settings, the amp/cab sims make it easy to go straight to FOH or into an audio interface. Expression Pedal Use The B1X model’s built-in expression pedal is one of the most important upgrades over the standard B1 Four. You can assign it to: It’s plastic and a bit short in travel, but it works, and it’s very useful for real-time dynamics or morphing effects. Utility Features Build Quality Yes, it’s plastic. Yes, it’s light. The footswitches are soft-touch, not mechanical. The knobs aren’t premium. But for careful home use, travel, or low-impact gigging, it’s surprisingly robust. Keep expectations in check: this isn’t built like a Strymon or Boss unit — but it’s also a tenth of the cost. Who This Pedal Is For Pros and Cons Pros: Cons: Conclusion: A Budget Giant That Punches Well Above Its Weight The Zoom B1X Four is not trying to be a boutique pedalboard. It’s not handmade, analog, or vintage. But for under $100, it gives bassists a shockingly wide and deep palette of tools to explore. It is, in every sense, the best value in the multi-effects world for bass. Whether you’re just starting out or need a compact Swiss-army knife for sketching, jamming, teaching, or traveling, the B1X Four delivers an experience that is musically rewarding and creatively inspiring, without punishing your wallet. If you need versatility, portability, and features over fancy aesthetics or analog nuance — this might be the smartest pedal purchase you ever make.

Reviews

TC Electronic Corona Chorus: Pedal Review

A Versatile, Stereo-Ready Modulation Tool with a Classic Soul First introduced as part of TC Electronic’s TonePrint series, the Corona Chorus takes the company’s legendary SCF (Stereo Chorus Flanger) algorithm — made famous in the ‘80s by the likes of Eric Johnson and John Petrucci — and wraps it in a modern, pedalboard-friendly enclosure. But this isn’t just a one-trick shimmer box. The Corona is a multi-voice digital chorus that’s designed to cover everything from subtle swirl to full-on 3D warble. This is not an analog chorus — it’s all digital — but that’s not a downside. The pedal has exceptionally low noise, stereo ins and outs, and the kind of depth and clarity that you rarely get from BBD-based analog units. It’s built to play well with both guitar and bass, especially in studio or live stereo rigs. Core Controls and Features The standard controls look familiar, but they’re deceptively deep: Let’s break these modes down: Standard ChorusA relatively subtle, clean chorus voice based on TC’s SCF legacy. It offers rich, transparent modulation that doesn’t overly color the signal. Works particularly well on bass when dialed in with a low Depth and FX Level. Excellent for adding movement without sacrificing low-end clarity. Tri-ChorusThis is where things get interesting. Tri-Chorus runs three chorus voices simultaneously, each modulating slightly out of sync. The result is a massive stereo spread and a sense of dimensionality — think early-‘90s rack-mount shimmer. With subtle settings, it feels like the bass is breathing. Crank it, and it goes into lush synth pad territory. TonePrint ModeThis is where TC’s modern edge really shines. You can use the TonePrint app or editor to download or create chorus presets made by artists (e.g., Duff McKagan, Nathan East, John Petrucci) or tweak your own settings in the deep editor. With TonePrint, you can: This level of control makes the Corona far more versatile than almost any other compact chorus on the market. Why Chorus on Bass? Chorus might not be the first modulation effect bassists reach for, but when used tastefully, it adds depth, atmosphere, and movement. It’s especially effective in: On bass, a chorus needs to be either very subtle or very smart — and the Corona’s blend and TonePrint capabilities make it ideal. The high-pass filtering you can program in TonePrint means you can let the effect live in the mids and highs, preserving all your low-end definition. Build and Connectivity No nonsense, no bulk — just a clean, well-built pedal that’s made to tour or record with. Pros and Cons Pros: Cons: Conclusion: A Workhorse Chorus with Modern Tools and Classic Depth The TC Electronic Corona Chorus might not have the analog mystique of a Boss CE-2 or the vintage warble of an EHX Small Clone, but what it offers instead is practical, versatile, beautiful chorus that actually fits a working musician’s life — especially for bassists. Its wide tonal range, subtle FX Level control, and the ability to customize your modulation via TonePrint make it an incredibly powerful tool, whether you’re just looking to thicken your clean tone or build massive ambient soundscapes. It can be clinical or musical, vintage or hi-fi — it’s up to you. If you’re a bass player who wants modulation that respects the lows and adds spaciousness to your playing, the Corona Chorus is a top-tier choice that holds up in every context — and with a bit of tweaking, it can even outclass some of the more famous analog units in terms of real-world usability.

Reviews

Hotone Ampero FS-1 Footswitch: Pedal Review

Solid Utility in a Small Affordable Package I just picked up the Ampero FS-1 recently to expand my HX Stomp’s functionality, and I’ve been pleasantly surprised. As a working bass player, I’m always on the lookout for gear that’s reliable, compact, and affordable—this checks all the boxes. The build quality feels solid and roadworthy. The switch has a nice tactile click without being too stiff or noisy, which is ideal for live use. Setup with the HX Stomp was plug-and-play—no hassle, no extra configuration needed. Specifications:The Ampero FS-1 is a compact, double-button momentary footswitch housed in a durable metal enclosure. It uses a standard 1/4″ TRS connection, making it compatible with a wide range of gear that supports external footswitch inputs. The pedal is passive—no power required. Its minimal footprint makes it easy to integrate into tight setups without sacrificing functionality or build quality. While I’m using it with my HX Stomp, the FS-1 works with any device that supports standard momentary footswitches, like amps, modelers, loopers, or even pedals that accept external footswitch control. It’s a simple way to expand control options without adding complexity or cost. For the price, this thing punches way above its weight. It’s a small addition that makes a big difference in a gigging rig.