Author: Claudio Ribeiro

Reviews

TONEX Plug Review: Can a Headphone Plug Handle Bass?

A Bass Player’s Take on IK Multimedia’s Pocket-Sized AI Rig Disclaimer: This equipment was kindly provided by IK Multimedia for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information. Introduction The TONEX Plug is a compact, headphone-based tone device from IK Multimedia that brings AI Machine Modeling technology into a highly portable hardware format. Designed for both guitar and bass, it offers access to a massive library of amp, cabinet, and pedal tone models, all playable through headphones or recordable directly into a DAW via USB-C. Rather than replacing a traditional rig, the TONEX Plug is clearly aimed at silent practice, mobile playing, and quick recording scenarios. As a bass player, the appeal lies in whether such a small device can deliver convincing low-end response, dynamic feel, and tonal depth without sounding thin or overly processed. This review reflects hands-on use with the TONEX Plug in practice, writing, and recording contexts, focusing on how well it translates to bass. Check the Price on Amazon –> TL;DR The TONEX Plug is an impressive, ultra-portable tone solution that works well for bass, particularly for practice and mobile recording. It delivers realistic amp and rig tones with solid low-end response and offers deep flexibility through its app-based editing and large tone library. While it is not designed to replace a live bass rig, it excels as a personal practice tool and creative companion. The Review: A Bass Player’s Perspective What the TONEX Plug Is At its core, the TONEX Plug is a personal headphone amplifier powered by AI Machine Modeling. It allows you to load and play back detailed digital captures of real amp, cabinet, and pedal rigs, known as Tone Models. These models are managed through a companion app, where you can browse a large online library, edit presets, and store your favorites on the device itself. In addition to headphone use, the unit functions as a USB-C audio interface, making it easy to record bass directly into a computer or mobile device. Bass Tone Quality and Low-End Response Low-end reproduction is the first real test for any bass device, especially one this small. In use, the TONEX Plug delivers surprisingly full and convincing bass tones. The low frequencies feel present and solid rather than thin or brittle, and the dynamic response translates well to touch and playing intensity. Clean tones retain depth and clarity, while driven tones exhibit realistic harmonic content without collapsing the fundamental. The quality of the tone models themselves matters greatly. Well-captured bass-oriented models sound rich and believable, while poorly suited or guitar-focused models can require additional EQ or filtering. That said, the underlying engine is more than capable of handling bass frequencies convincingly. Onboard Processing and Tone Shaping The TONEX Plug includes onboard EQ, compression, noise gating, modulation, delay, and reverb, all adjustable through the companion app. For bass players, the compressor and EQ are particularly useful, allowing for quick tone shaping without external gear. These tools make it easy to dial in a focused practice sound or polish a tone before recording. A built-in tuner and metronome further reinforce the device’s role as an all-in-one practice solution. These features reduce the need for additional apps or hardware and help keep the workflow simple. Presets and Tone Library One of the strongest aspects of the TONEX Plug is its access to a vast online library of Tone Models. Bass players can explore a wide range of amp and rig captures, from classic tube sounds to more modern, aggressive tones. Presets can be wirelessly loaded and swapped via the app, making experimentation fast and intuitive. Because the library is so large, finding bass-specific models that suit your instrument and playing style takes some curation. Once a personal set of presets is established, however, the device becomes much more immediate and enjoyable to use. Practice, Writing, and Recording Use The TONEX Plug shines in silent practice scenarios. Bluetooth audio streaming allows you to play along with backing tracks, lessons, or recorded music while hearing your bass tone through headphones. Latency is low enough that playing feels natural, and the overall experience is engaging rather than sterile. For recording, the USB-C interface makes capturing ideas quick and straightforward. While it is not intended as a full studio interface, it works well for bass tracking, songwriting, and demo production, especially in mobile or space-limited setups. Design and Usability Physically, the TONEX Plug is extremely compact and lightweight. This makes it easy to carry, but also means that most detailed editing is done through the app rather than on the device itself. Hardware controls are minimal, which is a reasonable trade-off given the size and intended use. Battery life is sufficient for extended practice sessions, though it does require periodic charging. In practical terms, this is rarely an issue for its intended role. Pros Cons FAQs Is the TONEX Plug suitable for bass players? Yes. It supports bass instruments well and delivers realistic low-end response when paired with appropriate tone models. Can it be used without a phone or tablet? Yes. Once presets are loaded, the device can be used standalone with headphones, though editing is much easier with the app. Can I record bass directly with it? Yes. The TONEX Plug functions as a USB-C audio interface, allowing direct recording into a DAW. Is it good for live performance? It is best suited for practice, writing, and recording rather than live performance, as it is primarily a headphone-based device. Conclusion From a bass player’s perspective, the TONEX Plug is a powerful and inspiring portable tone tool. It delivers realistic amp and rig tones, preserves low-end fundamentals, and offers enough flexibility to support a wide range of practice and recording needs. While it is not intended to replace a traditional bass rig, it excels in the contexts it was designed for. For bassists

January 20, 2026 No Comments

News

BOSS Introduces GX-1B: Ultra-Portable Multi-Effects Powerhouse for Bass

BOSS has announced the GX-1B, a new ultra-portable multi-effects processor designed specifically for bass players who want premium sound quality and deep functionality in a compact format. Drawing on BOSS’s long-standing expertise in bass amplification and effects, the GX-1B combines modern processing power with a streamlined, gig-ready design. At the core of the GX-1B is BOSS’s AIRD (Augmented Impulse Response Dynamics) technology, delivering authentic valve-style amp tone and feel optimized for bass. The unit features 16 bass amplifier types and over 130 BOSS effects, covering everything from foundational clean tones to drive, modulation, ambience, and more experimental textures. Despite its small footprint, the GX-1B allows for serious signal-chain flexibility. Players can run up to eight simultaneous effect blocks, in addition to a dedicated volume pedal and noise suppression, making it possible to build complex, professional-grade patches without compromise. The unit ships with 99 ready-to-play presets, alongside 99 user memory slots for custom sounds. Operation is designed to be fast and intuitive. A full-color display and category-based controls simplify navigation, while the Gear Suite function allows players to quickly configure amp and effect combinations with the press of a button. Three onboard footswitches and an expression pedal with toe switch are fully assignable, offering hands-free control in live situations. Audio quality is a clear priority, with 24-bit AD conversion, 32-bit DA conversion, 32-bit floating-point processing, and a 48 kHz sample rate ensuring clarity and headroom across all playing styles. The GX-1B also supports WAV cabinet IR loading, giving players additional flexibility when shaping their output for stage or studio use. Connectivity is another strong point. Built-in Bluetooth® allows wireless playback from a mobile device for practice or jamming, while USB-C® audio and MIDI support enables direct recording and playback with computers and mobile devices. The GX-1B integrates with BOSS Tone Studio on macOS, Windows, iOS, and Android, providing deep editing tools, practice features, and access to the BOSS Tone Exchange for sharing and downloading Livesets. For expanded control, the GX-1B includes a jack for up to two external footswitches or an additional expression pedal and supports wireless control via the FS-1-WL footswitch and EV-1-WL wireless expression pedal. Power options are equally flexible, with support for three AA batteries, AC adapter, or USB bus power, making the GX-1B suitable for everything from desktop practice to fly dates. Its compact, lightweight design allows it to fit easily into a gig bag or instrument case pocket. With the GX-1B, BOSS continues to refine its bass-specific digital platform, offering a highly portable solution that doesn’t sacrifice tone, control, or professional features. BassGearReviews.com will be following up with hands-on testing and a full review once the GX-1B becomes available.

January 16, 2026 No Comments

Reviews

Sushi Box FX Grand Slampegg: Pedal Review (2026)

A Deep Dive into Modern B-15 Tone Disclaimer: This pedal was kindly provided by Sushi Box for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information. Why B-15 Tone Is Everywhere Again Interest in B-15–style bass tone has surged once more, driven by players looking for warmth, authority, and a sound that sits effortlessly in a mix. From high-end analog pedals to increasingly accurate digital models, the appeal is clear: the B-15 represents a foundational bass sound rather than a stylistic extreme. Within this landscape, the Sushi Box FX Grand Slampegg stands out not by offering the most features, but by committing fully to the circuit philosophy that made early Ampeg designs special. After being sent the pedal directly by Sushi Box FX founder Nathan Slade, I had the chance to test it extensively and use it on gigs. What became immediately clear is that this is not a nostalgic novelty — it’s a carefully thought-out, modern implementation of classic tube design. If you want to check our first impressions of the Grand Slampegg, check the article we wrote last year about it. TL;DR Circuit Philosophy: Old Ideas, Applied Properly At the core of the Grand Slampegg is a 6SL7 tube, a key component of early Ampeg preamp designs and an important departure from the more common 12AX7 found in many modern tube pedals. The 6SL7 offers a softer, rounder response with a different gain structure, contributing heavily to the pedal’s smooth dynamics and natural compression. The tube operates at proper high voltage, allowing it to behave like a real amplifier preamp rather than a tube-flavored effect. This is paired with a Baxandall EQ, which provides broad, symmetrical bass and treble shaping. Instead of carving frequencies aggressively, the EQ gently reshapes the overall balance, maintaining phase coherence and musicality. This design approach explains why the Grand Slampegg feels more like an amp front end than a typical pedal. Controls and Signal Routing The Grand Slampegg’s control set is minimal but deliberately chosen: On the output side, the pedal offers professional-grade flexibility: This independent level control allows players to send a strong, consistent signal to front of house while independently managing stage volume — a small detail that makes a big difference in real-world use. Notably absent is a footswitch. This reinforces the Grand Slampegg’s role as an always-on preamp rather than an effect designed for on-the-fly engagement. Tone: Weight, Space, and Authority The Grand Slampegg’s tonal character is defined by density rather than brightness. Low frequencies are full and supportive, yet controlled — especially with the HPF engaged when needed. The midrange sits naturally in a mix, and the highs are smooth and unforced, retaining clarity without edge. The 6SL7 tube imparts a subtle, musical compression that responds directly to playing dynamics. Digging in adds harmonic richness and thickness rather than sharp attack, while lighter touch remains even and present. When pushed, breakup is soft and rounded, more reminiscent of a driven studio preamp than a distortion device. Integration in Real Rigs In live use, the Grand Slampegg excels as a set-and-forget foundation. Into a clean amp or power section, it provides a convincing vintage-flavored front end. Using the XLR DI straight to FOH yields a finished, mix-ready bass sound that requires minimal corrective EQ. In the studio, it functions as a high-quality DI preamp. The combination of the 6SL7 tube, Baxandall EQ, and controlled low end produces tracks that already feel shaped, reducing reliance on plug-ins or corrective processing. The pre/dry switching and buffered output also make it easy to integrate into complex pedalboards or parallel signal paths. Q&A: Common Questions Answered Is this a B-15 clone?No. The Grand Slampegg isn’t a component-for-component clone, but it clearly draws from early Ampeg design choices — particularly the 6SL7 tube and Baxandall EQ — to recreate the behavior and feel of a B-15-style preamp. Why use a 6SL7 instead of a 12AX7?The 6SL7 has lower gain and a rounder response, contributing to smoother compression and a more relaxed dynamic feel — closer to early Ampeg circuits. Can I use it as my main DI?Yes. The XLR DI is designed for professional use and includes its own volume control, making it easy to feed FOH or an interface directly. What does the HPF switch actually do?It filters out excessive sub-bass content, tightening the low end. This is especially useful on boomy stages, with modern cabinets, or when running direct. Is the lack of a footswitch a downside?Only if you expect it to function like an effect. The pedal is designed to stay on as your core tone — similar to leaving an amp dialed in all night. Does it do overdrive?It can be pushed into soft, vintage-style saturation, but it’s not intended for aggressive distortion or modern grit. Strengths and Limitations Strengths Limitations Final Thoughts The Sushi Box FX Grand Slampegg succeeds because it understands what made the B-15 special — not just its frequency response, but its behavior. By using a 6SL7 tube, a Baxandall EQ, and a thoughtfully designed output section, Sushi Box has created a pedal that behaves like a real amplifier front end in a modern, practical format. For bassists seeking an always-on preamp that delivers warmth, weight, and musical authority without unnecessary complexity, the Grand Slampegg is a compelling and convincing option. If you enjoyed checking out this SushiBox Effects pedal, here are more products worth exploring — all tested and reviewed here on BassGearReviews: – JHS Colour Box V2 – Neve Style Preamp Pedal – JHS 424 Gain Stage – A Tascam PortaStudio on your pedalboard.

January 13, 2026 No Comments

News

Ibanez Introduces the Mode Series

A Modern Take on the Jazz-Inspired Bass Ibanez has officially unveiled the Mode Series, a new line of bass guitars that reimagines one of the most enduring designs in electric bass history. Drawing inspiration from the classic Jazz-style bass, the Mode Series blends familiar tonal foundations with Ibanez’s modern design philosophy and player-focused refinements. Rather than recreating a vintage instrument, Ibanez approaches the Jazz-inspired platform as a starting point. The Mode Series is designed for today’s bassists—players who value versatility, comfort, and clarity across a wide range of musical settings, from studio sessions to live stages. At its core, the Mode Series stays true to what made the Jazz-style bass a staple for decades: articulate note definition, balanced frequency response, and a responsive feel that suits both fingerstyle and pick players. Ibanez builds on that legacy with contemporary ergonomics, refined electronics, and construction choices intended to meet the demands of modern performance. Visually, the Mode Series reflects a restrained but confident aesthetic. Clean lines and thoughtful finishes give the instruments a timeless look, while subtle modern details signal that these basses are built for the present—not nostalgia alone. The result is an instrument that feels equally at home in traditional genres and more progressive musical environments. Ibanez has positioned the Mode Series as a flexible platform rather than a one-sound instrument. Whether players are chasing classic jazz-bass punch, modern clarity, or something in between, the Mode Series is intended to adapt without forcing a specific musical identity. With this release, Ibanez continues its long tradition of refining familiar designs instead of simply replicating them. The Mode Series stands as a reminder that even the most iconic instruments can evolve—offering new possibilities while respecting the sounds and shapes that made them essential in the first place. The Ibanez Mode Series basses are now entering the market, giving players a fresh option that bridges classic inspiration and modern performance.

January 9, 2026 No Comments

Reviews

Flamma FF20 Looper & Drum Machine: Pedal Review

A Bass-Friendly Looper & Drum Machine for Practice and Songwriting Disclaimer: This pedal was kindly provided by Flamma Innovation for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information. The Flamma FF20 is a compact pedal that combines a stereo looper and a built-in drum machine in a single unit. With extensive loop recording time, multiple memory slots, and a selection of drum grooves across various styles, it aims to be a practical tool for practice, songwriting, and idea development. For bass players in particular, loopers with rhythmic backing can be invaluable for working on time, feel, and groove without needing additional gear. This review is based on hands-on use of the FF20 in bass-focused practice and looping scenarios, with attention paid to how it handles low-frequency instruments and how intuitive it is to integrate into a bassist’s workflow. TL;DR The Flamma FF20 is an affordable, feature-rich looper and drum machine that works very well for bass practice and songwriting. It offers generous recording time, usable drum grooves, and a straightforward interface. While it is not designed to replace high-end loopers in live performance situations, it excels as a practice companion and creative sketchpad for bass players. Check the Price On Amazon –> Core Features The FF20 provides a stereo looper with extensive total recording time spread across multiple memory slots, allowing bass players to store and revisit a large number of loops. It supports overdubbing, time stretch, speed control, and auto-record functionality. The built-in drum machine includes multiple groove styles with tap tempo, and the pedal also offers USB connectivity for importing and exporting audio, as well as a dedicated headphone output for silent practice. Looping Performance on Bass From a bass standpoint, the looper captures low-end content cleanly and accurately. Recorded bass lines retain their weight and clarity, without obvious compression artifacts or loss of fundamental. Long loops are easy to manage, which is especially useful for building layered practice sections or full song sketches. Overdubbing feels smooth and predictable, making it easy to stack harmonic or rhythmic ideas without losing timing. The ability to slow down or speed up loops without drastically altering pitch is particularly helpful for practice, allowing bassists to work on difficult passages at reduced tempos and then bring them back up to speed. Drum Machine for Groove and Timing The built-in drum machine is one of the FF20’s most useful features for bass players. The grooves are simple but musically effective, providing enough variety to support different practice styles without becoming distracting. They work well for locking in timing, developing pocket, and practicing transitions. While the drum sounds are not deeply editable and won’t replace a dedicated rhythm machine in performance scenarios, they are more than adequate for practice and songwriting. The presence of rhythmic backing alone makes practice sessions feel more engaging and productive. Workflow and Controls The FF20’s interface is intuitive and relatively easy to learn. Basic looping and drum functions are quickly accessible, and the LED display helps keep track of tempo and settings. Timing the start and stop of loops in sync with drum patterns requires some practice, but once the workflow is understood, operation becomes second nature. The option to control looping and drums separately adds flexibility, especially for players who want to focus on groove rather than footswitch choreography. Practice, Writing, and Connectivity For bassists who practice at home or in shared spaces, the headphone output is a major advantage. It allows for silent practice without sacrificing tone quality. USB connectivity makes it easy to move loops to and from a computer, enabling further development of ideas in a DAW or archiving practice sessions. The FF20 is particularly well suited to writing and arrangement work. Being able to quickly build bass parts over a drum groove encourages experimentation and helps bass lines evolve organically. Pros Cons FAQs Is the Flamma FF20 suitable for bass players? Yes. It handles low-frequency instruments well and provides useful tools for bass practice, looping, and songwriting. Can it record long bass loops? Yes. The available recording time is more than enough for extended loops and multi-part practice sections. Are the drum patterns usable? They are well suited for practice and idea development, though they are not intended to replace advanced drum machines. Can loops be exported? Yes. Loops can be transferred via USB for editing, sharing, or archiving. Is it good for live performance? It can be used live in simple setups, but it is best viewed as a practice and creative tool rather than a full performance looper. Conclusion From a bass player’s perspective, the Flamma FF20 is a practical and well-designed looper and drum machine that offers excellent value. Its generous loop capacity, useful drum grooves, and bass-friendly sound quality make it a strong choice for practice and songwriting. While it doesn’t aim to compete with high-end loop stations for complex live use, it succeeds in what it sets out to do: provide bassists with an accessible, flexible tool that encourages creativity, improves timing, and makes practice more enjoyable. Get Your Flamma FF20 On Amazon Right Now! If you liked this gear, make sure to also check:

January 2, 2026 No Comments

bassgearreviews

Blog