Author: Claudio Ribeiro

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Seymour Duncan Introduces the Duff McKagan Signature PJ Pickup Set

Punch, clarity, and stage-ready tone! Seymour Duncan has announced the launch of the Duff McKagan Signature PJ Pickup Set, designed to deliver a versatile and reliable bass tone suited for a wide range of high-energy playing environments. Developed in collaboration with McKagan, the set focuses on clarity, punch, and consistency—whether on stage or in the studio. The new signature set pairs a Quarter Pound P-style pickup in the neck position with a Hot Stack J-style pickup in the bridge. The Quarter Pound model features large Alnico 5 magnets for increased presence and strong midrange projection, while the Hot Stack Jazz pickup provides articulate response with full hum-canceling performance. Together, the two pickups create a balanced tonal foundation that remains defined even in dense mixes. Each pickup is hand-built at Seymour Duncan’s facility in Santa Barbara, California and includes McKagan’s distinctive skull-and-crossbones logo. The set is designed to fit standard PJ-style routing, allowing for straightforward installation and compatibility with both passive and active bass configurations. The Duff McKagan Signature PJ Pickup Set is positioned for players working in rock, punk, metal, and other high-intensity styles, but offers enough flexibility to adapt to varied musical settings and tonal shaping approaches. The pickup set is now available through authorized Seymour Duncan dealers and directly at SeymourDuncan.com.

November 6, 2025 No Comments

Reviews

Flamma FS23 Octave: Pedal Review

A Versatile Stereo Octave Pedal for Modern Bassists Disclaimer: This pedal was kindly provided by Flamma Innovation for the purpose of this review. However, this does not influence our opinion or the content of our review. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information. Introduction Octave pedals have always been part of the bass player’s secret sauce—whether to thicken a groove, add sub-bass heft, or create soaring solo textures. The Flamma FS23 steps into a crowded field with a promise: stereo operation, octave-up and octave-down blending, plus onboard reverb and modulation. At first glance, it might look like another multi-function box trying to do too much—but after a few sessions, it becomes clear this little green pedal has more depth (literally) than expected. TL;DR A surprisingly powerful and versatile octave pedal with stereo capabilities, solid tracking, and ambient-friendly extras. The lower octave is clean, full, and modern—more EBS than OC-2—while the upper octave, though thin on its own, comes alive when blended with reverb and modulation. Add solid build quality and presets, and the FS23 punches far above its price point. Check Price on Amazon → Sound & Performance Low Octave Let’s start where most bassists live—the lower octave. The FS23 delivers a deep, smooth, and clean low octave that avoids the synthetic “electronic” vibe of a Boss OC-2 or vintage-style analog unit. Instead, it’s closer to the EBS Octabass territory: round, full, and modern. There’s no sub-rumble mushiness, just a tight, defined low end that tracks well even on the lower strings. Tracking, in fact, is excellent for the price. Like any octave pedal, it benefits from clean technique and a strong input signal—so running a compressor before it helps tremendously. When played cleanly, the FS23 keeps up without glitching or wobbling. High Octave The upper octave is thinner and more digital-sounding—nothing surprising there—but it becomes genuinely useful when blended with the dry signal or the sub-octave. This mix brings out some surprisingly expressive tones perfect for solos or ambient layering. The key is balance: too much upper octave alone sounds brittle, but mix it right, and it opens up new textures. Reverb & Modulation: The Unexpected Stars Initially, the reverb and modulation controls seemed like gimmicks—nice to have, but unnecessary on an octave pedal. Turns out, they’re not gimmicks at all. The reverb is especially bold—huge, cinematic, and capable of going completely over the top if you let it. Paired with the upper octave, it creates shimmering ambient soundscapes that push the FS23 beyond the typical “octaver” role. Add a touch of modulation, and you’re in synth pad territory. For players who enjoy textural, atmospheric sounds, this is where the pedal really earns its stereo badge. Tone Controls & Presets Each octave has a tone knob, though their range is subtle. They shape the sound slightly darker or thinner rather than dramatically changing the character. The presets, on the other hand, are a game-changer. Being able to store and recall settings makes it easy to jump from a straightforward sub-octave groove to a massive ambient wash in seconds. For live players, that’s a big deal. Build Quality Physically, the FS23 feels solid. The metal chassis is rugged and road-ready, while the knobs—though plastic—have a nice tactile resistance and don’t feel cheap. It’s compact, lightweight, and the layout is intuitive. In short, it’s gig-proof. Pros & Cons Pros Cons FAQs Q: How does it compare to the Boss OC-5 or EBS Octabass? A: The FS23 leans closer to the EBS sound—clean, tight, and modern—rather than the vintage warmth of the OC-5. It’s also more versatile thanks to the reverb/mod section and stereo operation. Q: Can it track low B on a 5-string? A: With a clean input and steady playing, yes—it holds its own surprisingly well even below the E string. Q: Is it good for synth-style bass sounds? A: Absolutely. Pair the sub-octave with reverb and modulation, and it delivers lush synth-like textures. Q: Does it handle guitar or synth inputs? A: Yes, though it’s clearly voiced with bass in mind. Guitarists may find the high octave more appealing than bassists do. Conclusion The Flamma FS23 is a pleasant surprise. It’s not just another budget octave pedal—it’s a creative platform for bassists who want both reliable octave tones and ambient possibilities in one box. The clean low end is solid enough for everyday use, and the lush reverb/mod combo turns it into an unexpected source of inspiration. While it won’t replace a boutique analog octaver for vintage tones, it offers far more versatility and a unique sonic identity. For the price, the FS23 is an easy recommendation for bassists looking to explore beyond the usual octave territory. Get the Flamma FS23 on Amazon right now! If you liked this gear, make sure to also check:

October 31, 2025 No Comments

Reviews

TONEX One Bass Edition Review

Compact Power for the Bass Player on the Move Disclaimer: This pedal was kindly provided by IK Multimedia for the purpose of this review. However, this does not influence our opinion or the content of our review. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information. Introduction The original TONEX One proved that great tone modeling doesn’t have to take up half your pedalboard. Its ultra-compact form factor and straightforward workflow made it a favorite among guitarists seeking portability without compromise. Now, with the release of the TONEX One Bass Edition, IK Multimedia brings that same practicality to bass players. We’ve previously reviewed the standard TONEX One (you can find our full review here), so this article will focus on what the new Bass Edition adds to the table — namely, a curated 150-model library, phase-optimized bass tones, and improved DI blending. TL;DR The TONEX One Bass Edition condenses IK Multimedia’s bass modeling technology into a single, travel-friendly pedal. It offers 20 onboard presets, access to the full 150-model Bass Collection, and the same advanced dry/wet blending as the larger TONEX Pedal. The controls are small and compact, but it’s a serious studio and gigging tool for bassists who want top-tier tone in a minimal footprint. Check Price on Amazon –> Design and Controls The TONEX One Bass Edition carries the same aluminum-silver finish and minimalist three-knob, one footswitch design as the original. It’s incredibly portable, measuring smaller than most standard stompboxes, yet remains sturdy enough for stage use. The compact layout naturally limits the number of physical controls, meaning deeper editing must be handled through the TONEX Editor software. For quick access, however, the three knobs and switch provide intuitive navigation through 20 onboard presets. Despite its small size, the unit includes USB connectivity, stereo outs, IR loading support, and integration with the TONEX ecosystem for transferring and editing tones. Core Features Like its big sibling, the TONEX One Bass Edition comes preloaded with the Signature Bass Collection — 150 Tone Models covering a huge variety of amps, cabs, and drive pedals. Out of the box, you get 20 ready-to-use presets, each capturing a complete rig designed for mix-ready performance. You can load any of the full 150 bass tone models through the free TONEX Editor or Modeler for Mac/PC, including models of Ampeg, Fender, Markbass, Gallien-Krueger, Darkglass, and Tech 21 gear. The key upgrade for bass players is the in-phase dry/wet blending technology, which preserves clarity and power in your DI tone even with heavy processing. This feature alone makes the One Bass Edition far more usable for serious bass work than its guitar counterpart. You’ll also find essential effects—compression, noise gate, reverb, and modulation (chorus, flanger)—which can be used to refine or enhance your chosen tone models. Pros and Cons Pros Cons FAQs Q1: How many presets can I store onboard? The pedal stores 20 presets at a time, but you can swap them freely from the full 150-model library using the TONEX Editor. Q2: Can I capture my own amp tones with this pedal? Yes, you can capture and load your own Tone Models using the TONEX Modeler software. Q3: Does it include effects? Yes, the same onboard effects as the larger TONEX Pedal—compression, reverb, noise gate, chorus, and flanger. Conclusion The TONEX One Bass Edition proves that professional bass tone modeling doesn’t need to come in a large package. With its curated bass models, refined dry/wet blending, and compact design, it’s ideal for players who want quality tone anywhere—whether rehearsing, recording, or touring light. While editing through software is necessary for deeper control, the payoff is immense: a small, durable, and sonically impressive pedal that delivers the power of the full TONEX Bass platform in a pocket-sized form. For bassists who value portability without sonic compromise, the TONEX One Bass Edition hits a sweet spot between simplicity and sophistication. Get your Tonex One Bass Edition now! Other IK Multimedia Gear You Might Like If you enjoyed checking out this IK Multimedia pedal, here are more IK Multimedia products worth exploring — all tested and reviewed here on BassGearReviews: – IK Multimedia Tonex One – Compact Amp Modeler + Interface – IK Multimedia Tonex Pedal Bass Edition – Amp and Pedal Modeler and Interface – IK Multimedia Axe I/O One – Portable Interface – IK Multimedia Axe I/O – Feature Rich Interface

October 23, 2025 No Comments

Reviews

M-VAVE Tank B Review: Compact Bass Multi-Effects Pedal with Big Features

A Portable Swiss Army Knife for Bass Players Disclaimer: This pedal was kindly provided by MVave for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information. Introduction The M-VAVE Tank B follows the same “strip-style” pedal design made popular by units like the Tech 21 SansAmp series and the Flamma FB200 — compact, multi-function processors that give you a full rig’s worth of tone in a single, narrow housing. It’s aimed squarely at bassists who want a complete effects chain and DI solution without the bulk or price of larger multi-effects boards. Like its smaller sibling, the M-VAVE Cube Baby Bass, the Tank B continues M-VAVE’s push toward affordable, portable gear that doesn’t compromise on flexibility. TL;DR A compact, rechargeable, and feature-packed bass multi-effects pedal that offers strong value for practice, live gigs, and direct recording — though with expected trade-offs in sound depth and noise performance compared to higher-end gear. Check Price on Amazon –> What makes the Tank B so appealing is its form factor. It’s a slim, elongated pedal — the classic strip style — small enough to fit in a gig bag, yet loaded with tools you’d normally find in a much larger multi-effects processor. The built-in rechargeable battery is a standout feature, making it genuinely portable. You can plug in your bass and headphones anywhere — no power supply or amp needed — and start playing. Connectivity is generous for such a compact unit. There’s a standard instrument input, a headphone jack for silent practice, and a balanced XLR output for going straight into a mixer or PA. The USB-C connection adds even more flexibility, letting you use the Tank B as a simple audio interface for your computer or phone. That means recording, livestreaming, or re-amping without extra hardware. Inside, the signal chain covers everything you need: noise gate, compressor, preamp, EQ, modulation, delay, reverb, and cabinet simulation. You can store up to 36 presets, each with your preferred combination of effects, which makes switching between sounds quick and seamless. The amp and preamp models give you a range of usable tones — from clean and round to slightly overdriven — that hold up well for practice and casual gigs. Paired with the 3-band EQ, you can shape your tone easily, whether you’re chasing deep vintage warmth or a more modern edge. The compressor and gate aren’t fancy, but they do a solid job keeping your dynamics tight and noise under control. Modulation and ambience effects are basic but musical, adding just enough character without muddying the sound. One of the Tank B’s strongest points is its IR (Impulse Response) capability. It comes with a selection of built-in cabinet IRs, but you can import your own via the companion app. This is where the pedal really opens up — loading higher-quality third-party IRs can elevate your tone dramatically. The app also makes editing presets much easier than scrolling through the pedal’s small display, letting you organize and fine-tune your patches quickly. In use, the Tank B feels like a smart evolution of M-VAVE’s earlier devices such as the Cube Baby Bass. While the Cube Baby focuses on ultra-portable, beginner-friendly use, the Tank B steps things up with more routing options, balanced outputs, and deeper tone control. Together, they form a nice ecosystem — the Cube Baby for grab-and-go playing, and the Tank B for players who want something more complete yet still compact. Limitations Of course, there are limits. The DSP power isn’t in the same league as premium modelers, so you’ll notice a bit of background hiss, especially with higher gain or stacked effects. The stock IRs are serviceable but don’t do the pedal justice — swapping them out is almost mandatory if you want truly inspiring tones. Editing directly on the unit can also feel cramped; it’s far better to use the app whenever possible. Still, the overall experience is very positive. The Tank B offers more functionality than most players will ever need in such a small footprint, and the fact that it doubles as an audio interface is a huge plus. For small gigs, quick rehearsals, or silent practice, it’s a truly capable little rig. Pros and Cons Pros Cons Q&A Can I use it as a DI on stage?Yes. The balanced XLR output lets you plug straight into a PA or audio interface, and it performs well for live setups when levels are adjusted properly. Can I record directly to my computer or phone?Definitely. The Tank B works as a USB audio interface, perfect for recording ideas or streaming. Does it take third-party IRs?Yes, and you’ll want to use that feature — loading custom IRs significantly improves the overall tone. How long does the battery last?It depends on your setup, but it’s good enough for several practice sessions or a small gig before needing a recharge. Is it better than the Cube Baby Bass?They’re made for different purposes. The Cube Baby Bass is simpler and smaller, ideal for beginners or ultra-portable use, while the Tank B offers more control, outputs, and editing options for players who want a fuller rig experience. Conclusion The M-VAVE Tank B manages to deliver a surprisingly complete bass solution in a format no bigger than a pencil case. It’s versatile, affordable, and easy to carry — perfect for players who want to practice anywhere or perform without a heavy pedalboard. While the stock tones and DSP have their limits, the inclusion of user IR loading, rechargeable power, and USB connectivity make it one of the best budget multi-effects options available. If you’re a fan of compact rigs like the Tech 21 or Flamma FB200, the Tank B feels instantly familiar — but with a modern twist and a much friendlier price tag. And for anyone already using the M-VAVE Cube Baby Bass, this pedal is

October 21, 2025 No Comments

Reviews

Aguilar Suite Plugin — First Impressions Review

Classic Bass Tone Meets Modern Digital Precision Founded in 1995 in New York City, Aguilar Amplification has long been synonymous with premium bass tone — blending musical warmth with studio-grade precision through its amps, cabinets, and pedals. Over the years, the brand’s reputation has grown among professional players for its ability to deliver clarity, punch, and character in both live and recording settings. Now, with the release of the Aguilar Suite Plugin, the company brings its analog legacy into the digital realm, offering bassists the unmistakable Aguilar sound inside their DAWs — complete with the amps, cabs, and effects that defined its hardware line. When I first launched the Aguilar Suite Plugin (demo version), I was immediately struck by how polished and intuitive the interface felt. Everything is neatly organized, from amp and cabinet selection to pedal chaining and preset management. Even in the demo, it’s clear that Aguilar aimed to give bass players not just a collection of digital models, but a flexible creative environment that mirrors the feel and sound of their real-world gear. Switching between amps and cabs feels smooth, and the tonal responses are distinct enough to make quick A/B comparisons genuinely useful. The plugin also runs efficiently — low latency and stable, even on modest systems. Having artist and factory presets available is a great touch, helping users instantly explore Aguilar’s tonal palette, while the option to create and save custom presets adds huge flexibility for building signature sounds. Overall, my early impression is that this suite isn’t just about convenience — it’s about authenticity and flexibility. Aguilar’s distinct voicing comes through in each model, and combining amps, cabs, and pedals opens up an impressive range of tones suitable for modern, vintage, or experimental bass work. Module Overview Amplifiers Cabinets DB Series: SL Series: Custom Option: Pedals & Effects Presets & Customization The Suite includes: Personal Notes For this review, I used the demo version, which allows up to 20 minutes of use per day with limited saving options. I ran it directly through my DAW and was able to record a few test tracks using the plugin. My monitoring setup was a pair of modest headphones, so I’m aware I didn’t experience the full sonic depth the plugin can deliver through quality studio monitors. Even so, the initial experience was very good — the layout is minimal, clean, and conducive to creativity, and the tones are unmistakably Aguilar: warm, articulate, and musical. The amp and cab combinations respond dynamically, and the pedal section adds a lot of personality without feeling over-processed or artificial. Conclusion The Aguilar Suite Plugin successfully translates the brand’s revered analog tone into the digital world without losing its musical identity. The demo’s time limitation may keep users wanting more, but it’s enough to showcase just how capable and authentic the suite is. From the clean punch of the AG amp to the thick warmth of the DB 751 and the creative flexibility of Aguilar’s full pedal lineup, this plugin feels like a genuine extension of the company’s hardware heritage. While I haven’t yet tested it through high-end studio monitors, even on basic headphones it delivered impressive realism and musical response. For bass players and producers seeking authentic Aguilar tones in an accessible, modern format, this plugin stands out as a thoughtfully designed and inspiring tool — one that bridges classic craftsmanship with today’s digital workflow.

October 19, 2025 No Comments

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