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Author: Claudio Ribeiro

AXE I/O
Reviews

IK Multimedia AXE I/O: Interface Review

Feature Rich Interface For Tone Driven Players In a world where guitar interfaces can often feel like more of the same, the IK Multimedia Axe I/O stands out—not just for guitarists and bassists, but for anyone serious about tone. It shares the same philosophy as its smaller sibling, the Axe I/O One, but dials everything up with expanded connectivity, hardware upgrades, and quality-of-life features that really should be standard by now. From its tone-shaping capabilities to its built-in tuner and flexible I/O, the Axe I/O delivers a streamlined yet professional-grade experience at a price that’s still accessible to most serious home recordists. Disclaimer: This pedal was kindly provided by Ik Multimedia for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information. Tailored for Guitar & Bass – With Pro Features Much like the Axe I/O One, the Axe I/O is deeply instrument-focused. It’s not just an audio interface—it’s a rig optimizer for guitar and bass players who want to shape their tone before it even touches a plugin. Features like the Z-Tone impedance control, JFET/PURE input switch, and active/passive pickup selector make it a joy to tailor your sound in real time. But the Axe I/O expands on this with dual instrument inputs, 4 audio outputs, and a built-in tuner—a shockingly rare feature that proves how much attention IK Multimedia paid to real-world usage. Core Features at a Glance: Z-Tone and Input Stage Switching Just like with the Axe I/O One, Z-Tone and the JFET/PURE switching offer a wealth of tone control before your signal even hits a plugin. Z-Tone lets you shift your input impedance to tighten or fatten your tone—great for modern players or vintage stylists alike. The JFET input adds analog warmth and subtle harmonic richness, while PURE gives you a clean, uncolored signal ideal for post-recording tone shaping. Reamping, Now Simplified The Amp Out jack is one of the best things about this interface—it allows clean reamping without the need for extra gear. That’s huge for players who want to blend DI and amp tones or revisit takes with different gear. Why the Built-In Tuner Matters One small but seriously useful feature: the hardware tuner. Fast, accurate, and always at your fingertips. It seems like a small touch, but once you’ve used it, you’ll miss it on every other interface. Limitations? Final Thoughts on the Axe I/O The IK Multimedia Axe I/O is a standout piece of gear for guitar and bass players who want a high-quality DI solution with extras that actually make sense. With dual inputs, reamping, and thoughtful touches like a built-in tuner, it’s the kind of tool that makes you wonder why more interfaces don’t do this. Axe I/O vs. Axe I/O One – Which One’s for You? Both of these interfaces are cut from the same cloth, designed with the tone-obsessed player in mind. But they serve slightly different purposes depending on your needs and workflow. What They Share: Which Should You Choose? Conclusion: Both units punch way above their price point, especially for guitar and bass players. The Axe I/O One is compact and affordable without sacrificing tone-shaping power, while the Axe I/O adds the I/O flexibility and studio-ready features many serious players will appreciate. Whichever one you choose, you’re not just getting an interface—you’re getting a tone toolbox.

Axe I/O One
Reviews

IK Multimedia Axe I/O One: Interface Review

Disclaimer: This unit was kindly provided by IK Multimedia for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information. A Smart/Small Interface for Bass Players In a market full of nearly identical budget audio interfaces, the IK Multimedia Axe I/O One manages to stand out—especially if you’re a bass player. While it may look like just another compact USB interface, it offers tone-shaping tools, reamping capabilities, and thoughtful design choices that make it far more than meets the eye. Whether you’re tracking demos at home, building a portable setup, or looking for a flexible DI solution, the Axe I/O One is well worth your attention. Effortless SetupGetting up and running with the Axe I/O One is refreshingly simple. After registering the unit on IK Multimedia’s website and downloading their control software (which includes all necessary drivers), it was a matter of plugging it in via USB. The interface was immediately recognized by my DAW (Reaper), and I was recording bass within minutes. From firmware updates to input detection, everything worked smoothly—no troubleshooting or digging through menus. That kind of reliability is especially welcome when inspiration strikes and you just want to hit record. Designed for Instrument PlayersAlthough it’s marketed as a guitar-focused interface, many of the Axe I/O One’s standout features translate beautifully to bass. This is not just a standard 1-in/3-out audio box—it’s a tool for shaping and refining your tone before it even hits your plugins or amp sims. Designed for Instrument Players Although it’s marketed as a guitar-focused interface, many of the Axe I/O One’s standout features translate beautifully to bass. This is not just a standard 1-in/3-out audio box—it’s a tool for shaping and refining your tone before it even hits your plugins or amp sims. Key Features: At this price point, features like Z-Tone and Amp Out are rare—and particularly useful for bass players looking to get the most out of their instrument tone. Z-Tone: Impedance Control with Real Impact One of the most unique features of the Axe I/O One is the Z-Tone knob, which lets you control the input impedance of the instrument channel. This may seem like a minor technical detail, but in practice, it allows you to meaningfully shape the tonal character of your bass. Higher impedance settings (labeled “Sharp”) give your signal a brighter, more articulate tone—ideal for active basses or modern fingerstyle work. Lower settings (“Bold”) round off the top end and emphasize the lows, perfect for vintage-style passive basses or thick, supportive lines. The Z-Tone circuit reacts differently depending on your bass and pickups, offering a subtle but highly musical way to tailor your tone—before you even touch an EQ or amp model. “Z-Tone allows change to impedance from tighter/sharper tone to a thicker/bolder tone all in the same instrument.” JFET vs PURE Input Stages Another standout feature is the ability to switch between two input stages: The tonal difference is not drastic, but it’s enough to influence the feel of your playing and the character of your recorded tone. Especially when paired with Z-Tone and pickup type switching, it makes the interface far more versatile than it first appears. Amp Out & Reamping: Pro-Level Flexibility The Amp Out jack is a feature rarely seen in interfaces at this price level. It allows you to take a clean DI signal you’ve recorded and send it out to a real amp, pedal chain, or reamping box for further tone processing—without latency or level mismatches. What is Reamping? Reamping is the process of recording a clean, direct signal from your instrument, and later sending that signal through amplifiers or pedals to experiment with tone. It’s commonly used in professional studios, allowing engineers to refine or completely change a sound after the performance has been captured. For bassists, this opens up the ability to: This makes the Axe I/O One an excellent choice not only for home setups, but also for players working with studios or engineers who want more tonal control. What’s Missing? No device is perfect, and the Axe I/O One does come with a couple of limitations: Software Included The bundled software adds real value, especially for bass players who might be building their first recording rig: This makes the Axe I/O One a great all-in-one starter package for recording bass without needing to buy extra software or plugins. Final Thoughts: A Smart Buy for Bass Players The IK Multimedia Axe I/O One is more than just a budget interface—it’s a well-designed tool for tone-conscious players who want flexibility without complexity. With features like Z-Tone, PURE/JFET switching, and built-in reamping, it empowers bassists to capture professional-quality tones and adapt them to a wide range of musical contexts. It’s compact, easy to use, and includes everything you need to start recording and shaping your sound. Whether you’re just getting into home recording or need a travel-friendly interface with serious tone tools, the Axe I/O One delivers excellent value. ConclusionThe Axe I/O One is a smart, musician-focused interface that offers meaningful benefits to bass players, especially those working in home studios or mobile environments. If you’re looking for a compact DI solution that does more than just capture a clean signal, this one deserves a serious look.

Broughton Low Pass Filter
Reviews

Broughton Audio Low Pass Filter: Pedal Review

Sculpting the Perfect Bass Tone ​The Broughton Audio Low Pass Filter is a compact, purpose-built pedal designed to give bass players precise control over their high-frequency content. Whether you’re aiming to tame fret buzz, smooth out distortion artifacts, or sculpt a deep dub tone, this pedal offers a straightforward yet powerful solution. Key Features Why Low Pass Filtering Matters for Bass Players Low pass filters (LPFs) are essential tools in both live and studio settings. For bass players, LPFs help in:​ Historically, LPFs have been integral in audio engineering, used to manage frequency content and prevent overlap in mixes. In the context of bass guitar, they allow players to maintain clarity and focus in their low-end frequencies.​ User Feedback Bass players who have incorporated the Broughton Low Pass Filter into their rigs often describe it as an “always-on” pedal. Users report a significant improvement in tone clarity and a reduction in unwanted high-frequency content. The pedal’s simplicity and effectiveness make it a favorite among those looking to refine their sound without adding complexity to their setup.​ Final Thoughts The Broughton Audio Low Pass Filter stands out as a specialized tool that addresses specific tonal challenges faced by bass players. Its straightforward design, combined with its effectiveness, makes it a valuable addition to any pedalboard. Whether you’re performing live, recording in the studio, or practicing at home, this pedal offers a reliable solution for managing high-frequency content and achieving a polished bass tone. This was a new type of review, more casual and relaxed, let me know what you thought of it. Want more content like this here on the page?

Boss SDE-3
News

Boss Releases the SDE-3

BOSS SDE-3 Dual Digital Delay: A Modern Take on a Vintage Classic BOSS has just unveiled the SDE-3 Dual Digital Delay, a compact stompbox that brings the beloved sound of the legendary Roland SDE-3000 rack unit into the modern age. With a design that appeals to tone purists and experimentalists alike, the SDE-3 is more than just a nostalgic nod—it’s a powerful, stereo-capable delay tool fit for today’s versatile musicians. At the heart of the SDE-3 is a faithful recreation of the SDE-3000’s rich and detailed digital delay character. While the original unit was a staple of ’80s racks, the SDE-3 translates its sonic identity into a pedalboard-friendly format. Musicians can now access those sought-after clean, precise repeats without the hassle of bulky gear. The standout feature of the SDE-3 is its dual delay engine. This allows players to stack two separate delay lines and fine-tune them with the Offset knob. Whether you’re going for subtle stereo widening, ambient textures, or rhythmic interplay, the SDE-3 delivers in spades. Want dotted eighths in one channel and quarter notes in the other? No problem. You can achieve everything from tight slapbacks to sprawling soundscapes. Additionally, the pedal features multiple output routing options, including true stereo operation, ensuring it integrates seamlessly into any modern rig. The flexible layout is ideal for both guitarists and bassists, with clear definition and warmth that never muddies the low end. The BOSS SDE-3 is perfect for players who crave high-fidelity delay with a vintage soul. Whether you’re chasing The Edge-style patterns or laying down cinematic ambient washes, this pedal brings creative delay manipulation to your feet. Stay tuned for availability and pricing, but from early looks, the BOSS SDE-3 is shaping up to be one of the most exciting releases in the delay world this year.

Empress Bass Compressor
Reviews

Empress Bass Compressor: Pedal Review

A Compressor That Demands — and Rewards — Your Attention Lately, we’ve been diving deep into the world of bass compression. We’ve explored vintage options like the Boss CS-2, modern heavy-hitters like the Origin Cali76, and even budget picks such as the TC Electronic SpectraComp. But when it comes to modern, studio-grade options in a pedal format, there are only a few standout choices that consistently show up in serious discussions. The Origin Cali76, the Diamond Compressor, and today’s focus: the Empress Bass Compressor. Disclaimer: This pedal was kindly provided by Empress Effects for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information. Overview The Empress Bass Compressor is specifically voiced for bass, with a frequency response of 10Hz–20kHz. It features an all-analog signal path, true bypass switching, and detailed multi-segment metering for both input and gain reduction. With a mix knob for parallel compression, an external sidechain input, and a variable high-pass filter, this pedal is easily one of the most feature-rich compressors on the market. Out of the box, it delivers a studio-level feature set, packed into a compact pedal chassis. While many pedal compressors simplify their layout to appeal to casual users, the Empress goes the opposite route: full metering, independent attack and release controls, mix knob, sidechain capabilities, ratio control, and even a two-position Tone + Colour switch that adds subtle tone shaping and harmonic coloration. For those unfamiliar with compression, the included manual does a fantastic job. It covers basic compression theory and offers sample settings to help get you started. This is a big win considering the pedal’s complexity. Let’s take a look at the features one by one. Key Features Explained Input and Gain Reduction Metering Many pedal compressors either skip metering altogether or offer a minimal version. Not the Empress. This pedal provides full metering for both input signal and gain reduction — a huge asset for both live and studio use. Input Control Sets the input level going into the compression circuit. Higher input levels = more compression. Output Control Sets the post-compression output level. This helps balance volume loss from compression, or can be used as a clean boost (fun fact: Empress officially supports bass solos — and so do we at BassGearReviews.com). Attack Controls how quickly the compressor reacts once the signal exceeds the threshold. Release Controls how quickly the compressor stops compressing after the signal drops below the threshold. Mix (Parallel Compression) Blends the dry (uncompressed) and wet (compressed) signals. This is essential for maintaining natural dynamics while gaining sustain — a hallmark of parallel compression. Sidechain High-Pass Filter Filters out low frequencies from the sidechain signal (from 20Hz to 400Hz). This lets you prevent low-end thumps from triggering compression too aggressively — great for slap, pick playing, or sidechaining. Ratio Determines how aggressively the compressor clamps down on peaks. The Empress offers: Tone + Colour Control This flexibility makes the pedal appealing to both camps: those chasing transparency and those looking for a bit of character in their tone. Bypass Switch Standard footswitch for true bypass on/off. Understanding Sidechain Compression Sidechain compression uses an external signal to trigger compression on your main signal (your bass). For example, if you run a kick drum into the sidechain, the bass will duck slightly each time the kick hits — useful for mixing clarity. The Empress includes a 1/8″ sidechain input for this purpose. The incoming sidechain signal doesn’t pass through the pedal’s output — it’s purely used to trigger compression. If no sidechain is connected, the high-pass filter affects how your bass signal triggers the compression. Performance and Use The Empress Bass Compressor is extremely versatile. Whether you’re looking for smooth and transparent compression, dynamic control for fingerstyle, punch for slap, or even brick-wall limiting, this pedal handles it all. However, this is not a plug-and-play pedal. It demands some understanding — or at least curiosity — to get the most out of it. Thankfully, the included manual provides an excellent starting point. Pros Studio-Grade Features in a Pedal FormatUnparalleled control in a stompbox: input/output level, metering, attack/release, parallel compression, sidechain HPF — rare even in rack units. Transparent and Musical CompressionThe 2:1 and 4:1 settings offer clean, musical compression that retains dynamics and preserves your playing style. Tone Shaping FlexibilityWith optional mid scoop/boost and harmonic distortion, the Tone + Colour switch adds useful character without locking you into one sound. Full LED MeteringVisual feedback for both input and gain reduction makes setting levels precise and intuitive. Parallel CompressionBlend dry and compressed signals for a more musical, natural result — especially useful for bass. Sidechain High-Pass FilterProfessional-level sidechain control in a pedal. Great for slap, pick, and studio sidechain mixing. Clear, Helpful ManualDespite the complexity, Empress makes learning accessible with clear diagrams and starter settings. True Bypass + Analog PathKeeps your tone untouched when bypassed, free of digital artifacts. Cons Steep Learning CurveNot ideal for compression beginners or those who want to “set it and forget it.” Limited Ratio OptionsOnly 3 ratio settings. While well-chosen, some might want more granularity (e.g., 6:1 or 8:1). Premium Price PointYou get what you pay for, but this might be out of reach for more casual players. 1/8” Sidechain InputInconvenient for some setups — may require adapters or custom cables. Conclusion: A Compressor That Demands — and Rewards — Your Attention The Empress Bass Compressor isn’t just another pedal — it’s a studio-grade tool packed into a rugged stompbox. It’s easily one of the most powerful and transparent compressors available to bassists, offering detailed control over every aspect of your dynamic range. What sets it apart is its complexity — and that’s intentional. Empress built this for players who want control. If you’re the kind of bassist who likes to tweak, shape, and perfect your tone, this pedal will deliver in spades. But make no