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Author: Claudio Ribeiro

Fender Sparkle Edition
News

Fender Unveils the Player II Sparkle Edition

Iconic Models With a Modern Look Fender has introduced a stunning Limited Edition Player II Series Sparkle Edition, featuring eye-catching Sparkle 3-Color Sunburst finishes on two of their most iconic bass models: the Precision Bass and Jazz Bass. These instruments combine classic Fender tone with a striking new aesthetic, appealing to bassists looking for both style and substance. Precision Bass: Classic Punch with a Modern Look Jazz Bass: Versatile and Expressive Fender’s Player II Series Sparkle Edition offers bass players a rare opportunity to own a custom shop-inspired finish at an accessible price. While sparkle finishes have historically been limited to special editions or high-end models, this release makes them available to a wider audience. These limited-edition basses are perfect for players looking to stand out on stage without compromising on Fender’s signature tone and playability. Whether you’re a P-Bass enthusiast seeking fat, punchy lows or a Jazz Bass player who values clarity and versatility, the Player II Sparkle Edition delivers on all fronts. Availability The Limited Edition Player II Sparkle Precision Bass and Jazz Bass are available now at select Fender dealers. Given the exclusive nature of these models, they are expected to sell quickly, so interested players should act fast to add one to their collection. For more details, visit Fender’s official website or check with your local Fender dealer.

Electro-HArmonix Bass Clone
Reviews

Electro-Harmonix Bass Clone Chorus: Pedal review

A Look at the Electro-Harmonix “Clone” Legacy Electro-Harmonix (EHX) has a long-standing reputation for producing some of the most iconic effects pedals in music history. One of their most famous designs is the Small Clone, an analog chorus pedal that gained widespread recognition, in part due to Kurt Cobain’s use of it with Nirvana. The Clone Theory, another EHX chorus pedal from the 1970s, was also known for its rich modulation and was used by legendary bassists like Peter Hook of Joy Division and New Order. The Bass Clone takes inspiration from this lineage, tailoring the classic EHX chorus sound specifically for bass players. By tweaking the circuitry to maintain clarity and low-end punch, EHX has created a chorus pedal that adds depth and dimension without sacrificing the fundamental bass frequencies. Why Chorus is an Iconic Bass Effect Chorus is one of the most beloved effects in bass history, particularly in post-punk, new wave, and alternative rock. It thickens and widens the sound by modulating the signal and blending it with a slightly delayed and pitch-modulated version. This creates a shimmering, wave-like effect that enhances melodic playing and adds movement to sustained notes. Bassists such as Peter Hook, Duff McKagan, and Juan Alderete have famously used chorus to define their unique tones. Chorus is especially useful in three main contexts: Exploring the Bass Clone’s Controls The Bass Clone is a simple yet powerful pedal, offering a range of tone-shaping options tailored for bassists. Here’s a breakdown of its controls: How It Performs The Bass Clone delivers lush, analog chorus tones that work exceptionally well in a variety of musical settings. It retains the fundamental strength of a bass signal while adding spaciousness and movement. The crossover switch is particularly useful, as it ensures that the effect doesn’t interfere with the essential low-end frequencies. Whether you’re playing intricate melodies, ambient passages, or thick, driving basslines, the Bass Clone enhances your tone without overwhelming it. Final Thoughts For bassists looking to explore chorus without losing low-end clarity, the Electro-Harmonix Bass Clone is an outstanding choice. It combines the legendary EHX chorus sound with modern features tailored for bass, making it a versatile and affordable addition to any pedalboard. Whether you’re aiming for post-punk atmospherics, grunge-inspired modulation, or just a touch of extra warmth in your sound, the Bass Clone is a pedal worth considering.

TC Electronic Plethora X1
Reviews

TC Electronic Plethora X1: Pedal Review

The Evolution of TC Electronic’s TonePrint Technology TC Electronic has been a key player in the world of digital effects, known for its groundbreaking TonePrint technology. Introduced over a decade ago, TonePrint allowed musicians to load signature artist presets into their pedals via USB or smartphone. This innovation gave players access to high-quality, customizable effects without needing to deep-dive into complex programming. Building on this technology, TC Electronic introduced the Plethora X5, a multi-effects pedal that housed five virtual TonePrint pedals in one compact unit. It was a game-changer for guitarists and bassists alike, offering flexibility, deep editing, and a pedalboard-like experience without the clutter of multiple individual pedals. Following the success of the X5, TC Electronic introduced the Plethora X3, a mid-tier option that allows users to run three TonePrint effects simultaneously. The X3 offered a balance between flexibility and size, catering to players who needed more than one effect at a time but didn’t require the full power of the X5. The Plethora X1 is the latest evolution in this line, condensing the power of its predecessors into a single-slot format. While it lacks the multi-pedal capability of the X3 and X5, it offers a more compact and budget-friendly way to access TC’s premium effects, making it an appealing choice for bassists looking to enhance their tone without overcomplicating their setup. Features and Functionality The Plethora X1 is essentially a single digital pedal slot that can be loaded with any TC Electronic’s TonePrint-enabled effects. It retains the high-quality processing and customization that made the X5 and X3 popular but in a more streamlined package. Key Features: Available Effects Plethora X1 functions as a dedicated TonePrint loader, giving bassists access to a wide range of effects, including: Why It’s a Great Choice for Bass Players Many multi-effects pedals cater primarily to guitarists, but the Plethora X1 is versatile enough to benefit bassists in several ways: Final Verdict The Plethora X1 is an excellent option for bassists who want a compact, powerful effects unit with deep customization. While it lacks the multi-slot capability of the Plethora X5 and X3, it makes up for it with affordability, portability, and the ability to swap between any of TC’s top-tier effects at will. Whether you’re looking to add subtle depth with a chorus, tighten up your dynamics with compression, or experiment with ambient delays and reverbs, the X1 is a flexible and valuable tool for any bass player’s rig.

Behringer CHorus Symphony
News

Behringer Releases the Chorus Symphony

A Vintage Legend, Reimagined for Today Behringer has recently released the Chorus Symphony pedal, a faithful recreation of the iconic Boss CE-1 Chorus Ensemble from 1976. The original CE-1 was the first standalone chorus pedal, capturing the lush chorus effect of the Roland Jazz Chorus amplifiers, and was used by artists like Andy Summers, Joe Satriani, and Nirvana. The Chorus Symphony features an all-analog Bucket Brigade Device (BBD) circuit, delivering the warm, multidimensional tones characteristic of the original. It offers both chorus and vibrato modes, with controls for adjusting speed, depth, and intensity. A High/Low input sensitivity switch and Level control allow for added versatility, enabling the pedal to accommodate various instruments and even introduce overdrive when desired. For connectivity, the pedal provides mono input and stereo outputs, creating a wide 3D stereo spread. An internal switch allows users to choose between true bypass and buffered bypass modes. The Chorus Symphony is going to be a very affordable option for those seeking vintage chorus and vibrato effects.

Epiphone Grabber
Reviews

The Epiphone Grabber Reissue: Bass Review

A Modern Take On A Classic Design Very few basses scream “70’s Rock!!!” like the Gibson Grabber! For decades, musicians have asked Gibson to release an affordable version of the Grabber – which commanded prices above 3K in the secondary market. In late 2024, Epiphone, Gibson’s more affordable sub-brand, reintroduced the Grabber, modernizing some aspects while maintaining its vintage aesthetic. The Epiphone Grabber Bass Reissue pays homage to the original Gibson Grabber, a bass that first appeared in 1973 as Gibson’s response to the Fender Precision Bass. Known for its bold design, affordable construction, and distinctive sliding pickup, the Grabber became a go-to instrument for rock and punk musicians throughout the ‘70s and beyond.  Disclaimer: This bass was kindly provided by Gibson for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information. A Brief History of the Gibson Grabber During the early 1970s, Gibson sought to develop a cost-effective bass to compete with Fender’s dominant models. The company introduced three basses in quick succession: The Grabber (1973) – Known for its sliding single-coil pickup, which could be positioned closer to the neck for a warmer tone or toward the bridge for a brighter, punchier sound. The G-3 (1975) – A variation with three single-coil pickups wired in a hum-canceling configuration. The Ripper (1973) – A high-end bass with a two-pickup setup, designed with more tonal flexibility. The Grabber quickly gained popularity because of its aggressive midrange growl, affordability, and simple yet effective design. Design and Build The Epiphone Grabber Reissue maintains many design elements of the original but introduces some key changes: Feature Original Gibson Grabber Reissue Epiphone Grabber Body Wood Maple Alder Neck Bolt-on Maple Bolt-on Maple Fingerboard Maple (or Rosewood on some models) Maple Bridge Basic 3-point Adjustable Grabber-style 4-string Bridge Controls 1 Volume, 1 Tone 1 Volume, 1 Tone, Coil-Splitting Switch The Epiphone Grabber features a C profile neck, with a 12.5 inch fingerboard radius, 34 inch scale length and 20 frets. Weighs around 4kg, so it’s a very lightweight bass, thanks to its 3-piece alder body. The biggest tonal difference between the original Gibson Grabber and the Epiphone reissue is due to the pickup system. While the coil-splitting feature adds versatility, it doesn’t fully replicate the tonal shifts of the original sliding pickup. Some players may miss the dynamic range that came from physically moving the pickup. Playability and Performance When I first picked up the Epiphone Grabber, there were a couple of features that stand out: Slim, fast-playing neck – The C-profile maple neck makes navigating up and down the fretboard a breeze. Lightweight alder body – More comfortable than the original maple-bodied version. Good sustain and resonance – The fixed humbucker captures some of the original’s punch but lacks its flexibility. This bass is an absolute joy to play with a pick! I’d even say it’s the closest to a perfect rock bass I’ve played in a long time. However, I also noticed a couple of drawbacks: Neck Dive – Just like the original, the reissue has a long neck and a lightweight body, which can cause the headstock to dip when playing standing up. Limited Tonal Control – Without the sliding pickup, players have fewer ways to fine-tune their sound beyond the coil split. Conclusion The Epiphone Grabber Reissue successfully recaptures the spirit of the original while making some modern adjustments. However, the lack of the sliding pickup is a significant change, not only altering its tonal range compared to the vintage model, but also some of its character and originality. While it may not fully satisfy hardcore Grabber purists, it’s still a solid, stylish bass with a punchy sound, making it a great option for rock, punk, and alternative bass players looking for something different. Summing up: Pros✅ Classic Grabber aesthetics✅ Comfortable neck and lightweight body✅ Coil-splitting feature for some tonal variety✅ Affordable alternative to vintage models Cons❌ No sliding pickup = less tonal flexibility❌ Some neck dive issues❌ May not fully satisfy vintage Grabber fans Would I recommend it? If you’re looking for a vintage-styled rock bass that stands out from the usual Fender P and J basses, then absolutely yes! However, if you’re after the exact sound and mojo of the original Grabber, you might be a bit disappointed.