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Author: Claudio Ribeiro

Reviews

Darkglass Duality Fuzz: Pedal Review

Compact Yet Mighty Fuzz The Darkglass Duality DFZ is a powerful fuzz pedal that brings the brand’s signature grit in a sleek, pedalboard-friendly form. Like its siblings, the Microtubes B1K Overdrive, and the NSG noise gate, the DFZ is part of Darkglass’s more understated lineup—pedals that may not get as much attention as their flagship models but still deliver serious tonal firepower. Designed for bassplayers who crave versatility, the DFZ offers a unique dual-fuzz circuit capable of producing everything from tight, gated distortion to thick, aggressive fuzz. Build and Controls At first glance, the DFZ keeps things simple, sporting a clean design with a single dual-knob layout. The Level knob controls overall output, while the Duality knob blends between two distinct fuzz textures: a cutting, gated saw-tooth wave and a high-gain, saturated fuzz. Hidden inside the pedal are two additional controls—Blend, which allows you to mix your clean and fuzzed signals, and Filter, which tweaks the high-frequency content for further tone shaping. These extra options provide more flexibility while keeping the pedal’s exterior clutter-free. Size and Weight Darkglass has kept the DFZ compact and lightweight, making it a perfect fit for crowded pedalboards. The unit measures approximately 10 cm (4 inches) high, 5 cm (2 inches) wide, and 4.5 cm (1.75 inches) deep, weighing in at 0.205 kg (0.45 lbs). Despite its small footprint, it still feels solid and well-built, maintaining the high-quality craftsmanship Darkglass is known for. Tone and Performance The DFZ stands out due to its blendable fuzz circuits, allowing players to fine-tune their distortion character. The gated saw-tooth fuzz delivers a percussive, synth-like attack, while the high-gain circuit provides a thicker, more sustained growl. By mixing between these two voices, bassists can achieve a broad spectrum of fuzz tones, from tight and controlled to chaotic and crushing. This makes the DFZ highly adaptable, whether you need a subtle dirt boost for rock or full-on sonic destruction for metal. Pricing and Accessibility For bassists looking to explore Darkglass’s premium fuzz sounds without spending a fortune, the DFZ offers an excellent balance of affordability and quality. Priced around €149, it remains within reach of players who want boutique tones without the boutique price tag. The compact design further enhances its appeal, ensuring that even those with limited pedalboard space can incorporate its versatile fuzz tones into their setup. Final Thoughts The Darkglass Duality DFZ is a small yet incredibly flexible fuzz pedal that delivers rich, customizable distortion in a streamlined package. Its dual fuzz circuits, internal tone-shaping options, and rugged build make it a solid choice for bassists who want a high-quality fuzz without overwhelming complexity. For those already interested in pedals like the Darkglass Microtubes B1K (which offers a more overdrive-focused sound), the DFZ serves as a complementary option that covers the heavier, fuzzier end of the spectrum. We reviewed all 3 pedals in the Darkglass Spot series. For more information on them, check the links below: Darkglass Microtubes B1K Darkglass NGS: Noise Gate

Reviews

Darkglass Microtubes B1K: Pedal review

Compact Powerhouse for Bass Overdrive The Darkglass Microtubes B1K is a compact bass overdrive pedal that delivers the renowned Darkglass distortion in a simplified, pedalboard-friendly format. While Darkglass is well known for its high-end bass preamps and drive pedals, the B1K is part of a line of lesser-known, lesser-talked-about options that still pack a serious punch. Despite its small size, the B1K offers a powerful and articulate overdrive suitable for various playing styles. Design and Controls The B1K features a minimalist design with a single concentric knob on the front, allowing users to adjust both the Level and Drive parameters. This straightforward interface makes it easy to dial in the desired amount of saturation and output volume. Additionally, the pedal includes internal controls for Blend and Tone, enabling further customization of the overdriven sound. The Blend control mixes the clean input signal with the overdriven signal, while the Tone control adjusts the high-frequency content. Two internal switches, Grunt and MBoost, provide a low-end boost and a mid-frequency boost, respectively, allowing players to tailor the pedal’s response to their preferences. Dimensions and Weight Measuring 10 cm (4 inches) in height, 5 cm (2 inches) in width, and 4.5 cm (1.75 inches) in depth, the B1K is designed to fit comfortably on any pedalboard. It weighs approximately 0.205 kg (0.45 lbs), making it both compact and lightweight. Sound Quality Users have praised the B1K for its clear and articulate overdrive, which enhances the bass tone without sacrificing clarity. The pedal’s CMOS-based circuitry contributes to its distinctive sound, offering a “clear” clipping that is both aggressive and defined. This makes the B1K suitable for a range of genres, from rock to metal, where a pronounced bass presence is desired. Value and Accessibility One of the standout features of the B1K is its affordability compared to other Darkglass pedals. Priced at approximately €120, it provides an accessible entry point for bass players seeking the Darkglass sound without a significant financial investment. Its compact size also makes it an excellent choice for players with limited pedalboard space. Considerations While the internal controls offer additional tonal shaping options, some users may find the need to open the pedal for adjustments less convenient, especially during live performances. However, for players who prefer a set-and-forget approach, this design choice contributes to the pedal’s streamlined exterior and ease of use. Conclusion The Darkglass Microtubes B1K is a well-crafted, compact overdrive pedal that delivers the signature Darkglass distortion in an affordable and user-friendly package. Its combination of simplicity and tonal versatility makes it a valuable addition to any bass player’s setup, particularly for those seeking high-quality overdrive without the complexity or cost of larger units. We reviewed all 3 pedals in the Darkglass Spot series. For more information on them, check the links below: Darkglass DFZ Duality Fuzz Darkglass NSG: Noise Gate

News

Reverend Releases the Triad 5 Bass

Reverend Guitars Unveils the Triad 5-String Bass Reverend Guitars is excited to introduce the highly anticipated 5-string version of their renowned Triad bass. The Triad 5 combines cutting-edge design, versatility, and outstanding playability, taking your sound to the next level. Built for players who crave flexibility, the Triad 5 features three of Reverend’s signature Jazz Bomb pickups. These high-output pickups deliver a wide range of tones, from punchy and focused to smooth and mellow, giving musicians complete tonal control. Paired with a 5-way selector switch, the Triad 5 allows easy access to five distinct sounds, making it an ideal instrument for a variety of genres and playing styles. The Triad 5’s sleek and stylish design is highlighted by its elegant block inlays, adding a touch of sophistication to the instrument. The smooth finish and meticulous craftsmanship ensure that this bass not only performs flawlessly but looks stunning as well. Designed with the modern bass player in mind, the Triad 5 offers improved playability with its comfortable neck profile and a contoured body that sits comfortably against the player. Whether you’re playing on stage, in the studio, or jamming with friends, the Triad 5 guarantees a superior experience. For bassists seeking a highly versatile 5-string instrument that blends premium tone, innovative features, and top-tier craftsmanship, the Triad 5 is the perfect choice. Available now at Reverend Guitars retailers and online. About Reverend GuitarsFounded in 1997, Reverend Guitars has built a reputation for creating high-quality, performance-driven instruments. Combining innovative designs with premium materials, Reverend guitars and basses have earned a loyal following among musicians across genres. The company remains committed to producing instruments that offer exceptional sound, style, and reliability for players of all levels. For more information, please visit www.reverendguitars.com.

Reviews

Source Audio C4: Pedal Review/Deep Dive

We go deep into the possibilities of the C4 The Source Audio C4 Bass Synth pedal is a cutting-edge, highly versatile tool that offers a treasure trove of sonic possibilities for bass players and guitarists alike. Whether you’re exploring massive synth textures, aggressive distortions, or deeply modulated tones, this pedal’s comprehensive suite of features and controls will undoubtedly elevate your sound. In this deep dive, we’ll explore everything from its basic functionality to its most advanced capabilities, showcasing why the C4 is not just another effects pedal, but an entire sonic landscape waiting to be discovered. Disclaimer: This pedal was kindly provided by Source Audio for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information. Unboxing and First Impressions Out of the box, the Source Audio C4 Bass Synth is ready to rock, packaged with everything you need to get started. You’ll find the pedal itself, all necessary cables, a 9V power supply, a quick reference card, and even some swag! At first glance, the pedal feels incredibly sturdy, encased in a solid metal chassis that promises durability and longevity. This pedal is designed to take the rigors of live performance and studio sessions without skipping a beat. Controls and Features: What You See is Only the Beginning The C4’s user-friendly design immediately stands out, featuring four main knobs and a few key buttons: At the top of the pedal, you’ll find the ALT Control Button. By pressing this, you enter “ALT mode,” which changes the function of the Input and Mix knobs: The 3-way switch in ALT mode now lets you select between presets #4, #5, and #6. The pedal automatically exits ALT mode after five seconds, bringing you back to the original controls. The footswitch allows you to engage or disengage the pedal, with an LED indicator showing its status. The C4 is powered by a 9V power supply, with both mono and stereo input/output options to accommodate a wide variety of setups. The Default Presets: A Taste of What’s Possible Out of the box, the Source Audio C4 comes with six default presets: These presets are a fantastic starting point, showcasing the range of sounds the C4 can create, from vintage analog textures to more modern, cutting-edge synth tones. Each preset explores different waveforms, pitch shifting, LFO controls, and more, allowing you to get a taste of the pedal’s extensive capabilities right away. However, these six presets are just the beginning. The true power of the Source Audio C4 reveals itself when you dive into the Neuro App, a free preset-sharing and editing software that unlocks the full potential of the pedal. Unleashing the Power of the Neuro App While the default presets are impressive on their own, the real magic of the C4 lies in its ability to connect to the Neuro App. This app not only allows you to download and share presets from a growing library of over 10,000 community-created and Source Audio-designed sounds but also enables you to create your own custom presets and update the pedal’s firmware. For many, simply accessing the preset library may be enough to explore the pedal’s vast capabilities. However, for those who want to truly push the limits, the editing functionality in the Neuro App is where the magic happens. A Four-Voice Synth: Sculpting Your Sound At the heart of the C4 is its four-voice synthesizer, which gives you immense flexibility in crafting your sound. Each of these voices can run its own waveform, modulation, and effects, allowing for intricate and complex sound design. Before even touching the synth waveforms, the C4 allows you to route your dry bass signal through a range of distortion, filter, and LFO effects. This means you can use the pedal purely as a distortion or filter unit, providing the same dynamic and cutting-edge options you’d find in Source Audio’s other pedals like the Aftershock (for distortion) and Spectrum (for filters). You can apply multiple types of distortion—from light overdrive to aggressive fuzz—and pair them with filters, like low-pass or envelope filters, for tones that evolve and interact with the intensity of your playing. Each voice can be modulated independently with LFOs, further expanding your sound palette. The result is a truly versatile unit that can function as everything from a high-end distortion pedal to an advanced filter or modulation unit, all before you even dive into the more complex synth features. This gives you the ability to generate anything from gritty, driven tones to smooth, evolving textures—all routed through the same pedal, with control over each voice’s modulation. The flexibility to use these blocks in creative ways is one of the major strengths of the C4, offering endless possibilities for sound exploration. Once you start exploring the synth side of the pedal, the true potential of the C4 begins to unfold. Advanced Modulation and Synthesis Capabilities Each voice on the C4 can be independently modulated, including your dry signal. Thanks to the dual LFOs, you can control speed, waveform, and depth, adding incredible movement to your sound. This modulation capability is especially useful for creating evolving textures, classic tremolo effects, and the dynamic shifts that are a staple of modern EDM and synth-based genres. The synthesis capabilities of the C4 extend far beyond basic waveforms. Each voice can be assigned one of several types of synthesis: With the combination of pitch-shifting, modulation, and waveform manipulation, the C4 allows you to create sounds reminiscent of classic Moog synths, modular setups, or even cutting-edge digital synths. Whether you’re after deep, throbbing bass tones or shimmering, ethereal leads, the C4 has you covered. FM Synthesis: A New Dimension of Sound One of the standout features of the C4 is its ability to perform FM synthesis, which adds an entirely new dimension to the pedal. By modulating the frequency of one oscillator with another, or even

News

Aguilar Announces the DB316 Mid EQ Micro Pedal

Precision Midrange Control in a Compact Design New York, NY – Aguilar Amplification, renowned for its premium bass gear, introduces the DB316 Mid EQ Pedal, a powerful yet compact solution for sculpting the perfect midrange tone. Designed for bass players seeking greater control over their sound, this micro pedal is ideal for refining mid frequencies with precision and ease. Drawing inspiration from Aguilar’s acclaimed Tone Hammer preamp, the DB316 offers exceptional tonal flexibility, making it a must-have for players using passive basses or two-band EQ instruments where midrange shaping is essential. With its intuitive design, this pedal provides effortless tonal adjustments, allowing bass players to dial in a punchy presence or cut through a dense mix with clarity. Housed in a compact, pedalboard-friendly enclosure, the DB316 is designed for versatility. Whether used as an always-on tone enhancer or as a quick-access tool for switching between sonic profiles, this pedal offers seamless integration into any rig. From subtle tonal refinements to more pronounced frequency shaping, the DB316 delivers Aguilar’s signature quality in a streamlined, user-friendly package. With its rugged construction and studio-grade sound, the DB316 is built to meet the demands of both stage and studio applications. For bass players looking to fine-tune their midrange with precision, Aguilar’s latest innovation is a game-changer. For more information, visit www.aguilaramp.com.