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BOSS Expands Its Premium Gig Bag Lineup

BOSS Expands Its Premium Gig Bag Lineup with the New CB-EB15 Bass Gig Bag BOSS has expanded its premium instrument protection range with the introduction of the CB-EB15, the company’s first deluxe gig bag designed specifically for electric bass guitars. Joining the refreshed BOSS gig bag family, the CB-EB15 delivers the same rugged construction, practical storage, and premium protection found in the acclaimed guitar models, now tailored to accommodate a wide variety of popular basses. Designed for bassists who need dependable protection without the bulk of a hard case, the CB-EB15 features a durable 600D polyester exterior, thick internal padding, and a soft interior lining that helps shield instruments from knocks and scratches during transport. An adjustable neck rest with securing strap keeps the bass firmly in place, while an adjustable end guard offers additional support for different body shapes and sizes. Storage has also been given considerable attention. A redesigned front pocket provides ample room for essential accessories, including cables, straps, tuners, sheet music, and even compact BOSS pedals. Comfortable padded handles and backpack-style shoulder straps make carrying the bag to rehearsals, gigs, or studio sessions easy and comfortable, whether travelling by car or public transport. The CB-EB15 forms part of BOSS’s updated gig bag collection, which includes refreshed electric and acoustic guitar models featuring improved padding, enhanced protection, and more versatile storage solutions throughout the range. The addition of a dedicated bass model ensures bass players can now enjoy the same level of premium protection that guitarists have come to expect from BOSS. Key Features With the CB-EB15, BOSS continues to demonstrate that a quality gig bag can offer an excellent balance of portability, durability, and instrument protection, making it an ideal companion for bassists on the move.

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Darkglass Expands the Anagram with new releases

Darkglass Expands the Anagram with KosmOS 1.16, NAM A2 Support, and New Bass Amp Models Darkglass Electronics has released KosmOS 1.16, a substantial operating system update for the Anagram bass modeling platform, adding one of the most requested features since the unit’s launch while expanding its collection of bass-focused processing blocks. The headline addition is full Neural Amp Modeler (NAM) Architecture 2 (A2) support, made possible through a partnership with Tone3000. With the update, Anagram users gain access to three new processing blocks—Neural Amp, Neural Pedal, and Neural Loader—that allow up to three simultaneous NAM instances. The platform supports NAM A2 Full, A2 Lite, and legacy A1 captures, opening the door to an enormous library of community-created amp, pedal, and studio gear captures that can be loaded directly into the Anagram. For players who enjoy dialing in authentic vintage bass tones, Darkglass has also introduced two new amplifier models. The Peggy Classic delivers the character of a classic tube bass amplifier, while Peggy Fliptop recreates the unmistakable voice of a vintage flip-top combo that has become a staple on countless recordings. Together, they further reinforce the Anagram’s focus on bass-first modeling rather than simply adapting guitar-oriented platforms. The update also brings several workflow improvements. A new High-Pass/Low-Pass Filter block combines both filters into a single processing slot, freeing up space while offering greater tonal control. Users can now monitor processor usage through new DSP Meters, making it easier to optimize complex signal chains without running into processing limits. Additional quality-of-life enhancements include the ability to enter parameter values directly using the new Type Parameter Values feature, along with new Behaviour device settings that provide greater control over how the hardware responds during operation. Since its introduction, the Anagram has stood out by combining Darkglass’ bass expertise with an open, continuously evolving digital platform. With KosmOS 1.16, the company significantly expands the unit’s capabilities, particularly for players interested in the rapidly growing Neural Amp Modeler ecosystem. Between NAM A2 compatibility, new bass amp models, and meaningful workflow refinements, this update represents one of the most significant feature expansions the Anagram has received to date. KosmOS 1.16 is available now as a free update for all Anagram users.

News

La Bella Expands Ian Martin Allison Signature Strings

La Bella Expands Ian Martin Allison Signature Super Polished Strings with Short Scale Sets Following the success of the original Ian Martin Allison Signature Super Polished strings, La Bella Strings has expanded the lineup with a new short scale option. Available in both four- and five-string sets, the new release delivers the same feel and custom gauges that made the original signature set a favorite among bass players. When developing his signature strings, Allison wanted to capture the punch and articulation of stainless steel roundwounds while retaining the smooth, comfortable feel of flatwounds. The result was La Bella’s Super Polished formula, featuring polished stainless steel round wound wrap wire over a hex core for a unique balance of clarity, warmth, and playability. “When Ian Martin Allison approached us about doing a signature set of Super Polished strings, he loved the original recipe: the punch of stainless rounds but the smooth feel of flats,” La Bella explains. “But he wanted a couple of tweaks to the formula to suit his broad needs as a session and touring bassist.” The new short scale sets carry over the same custom gauges as the original release. The four-string set includes .045, .063, .083, and .103 gauges, while the five-string version adds a .125 B string. With the addition of a short scale option, players with compact-scale basses can now experience the same signature feel and balanced response that helped make Allison’s original Super Polished set such a hit.

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ZVEX Introduces the DB-1

A Meter Pedal Bass Players Didn’t Know They Needed ZVEX has unveiled one of the more unusual pedal releases we’ve seen in a while: the DB-1, an ultra-high impedance analog signal meter designed to visually monitor your instrument signal without affecting your tone. At first glance, a pedal that doesn’t actually process audio might seem like an odd addition to a bassist’s pedalboard. But once you start looking at how modern bass rigs are built—with multiple gain stages, compressors, preamps, modelers, wireless systems, and switchers—the DB-1 begins to make a lot more sense. The headline feature is its massive 10 MΩ input impedance. According to ZVEX, the pedal is designed to be completely transparent, allowing it to monitor signal levels without loading passive pickups or introducing any tonal coloration. For bassists who obsess over preserving the natural response of vintage passive instruments, that’s a noteworthy specification. Why Should Bass Players Care? One of the most common challenges in modern bass rigs is gain staging. Whether you’re running a simple pedalboard or a complex setup feeding front-of-house, in-ear monitors, and an amp simultaneously, understanding what’s happening to your signal level can be surprisingly difficult. The DB-1 offers a visual reference point. Placed at strategic points in your signal chain, the meter can help identify level differences between clean and overdriven sounds, compare output levels from different basses, or verify that preset changes aren’t producing unexpected volume jumps. For players using multiple instruments during a live set, the pedal could provide instant visual confirmation of output differences between active and passive basses before those changes become a problem on stage. A Useful Tool for Silent Rigs The rise of direct bass systems, amp modeling, and silent stages has changed the way many bassists monitor their rigs. In these environments, visual feedback becomes increasingly valuable. ZVEX notes that the DB-1 can be used while an amplifier is turned off, allowing players to check signal flow, troubleshoot pedalboard issues, or verify preset levels without producing sound through the PA or stage rig. For touring bassists and session players, that could make setup and troubleshooting significantly faster. The ZVEX High-Impedance Philosophy The DB-1 also continues a long-standing ZVEX design approach. The company has historically favored exceptionally high input impedances in products such as the Super Hard On and Super Duper preamps, which use 5 MΩ inputs to maximize pickup response and preserve high-frequency detail. With the DB-1 doubling that figure to 10 MΩ, ZVEX appears focused on making the device as invisible as possible to the signal path. For bass players using passive instruments, particularly vintage-style single-coil designs, that’s likely to be a key selling point. Not an Effect—A Utility The DB-1 won’t replace your favorite compressor, preamp, or drive pedal. In fact, it doesn’t appear intended to alter your sound at all. Instead, it joins a growing category of utility-focused devices that help players better understand and manage increasingly sophisticated pedalboard ecosystems. Will every bassist need one? Probably not. But for players running complex live rigs, switching between multiple instruments, or simply wanting a visual window into what’s happening on their signal path, the DB-1 could become one of those surprisingly useful tools that earns a permanent place on the board. Sometimes the most interesting pedal releases aren’t the ones that make the biggest sound—they’re the ones that help you better understand the sound you already have.

News

Eventide Announces H9 Harmonizer Gen 2

Eventide H9 Harmonizer Gen 2 Brings H90 Power to the Next Generation of Multi-Effects Eventide has unveiled the H9 Harmonizer Gen 2, bringing its acclaimed multi-effects platform into a new generation with expanded processing power, a redesigned user interface, and the complete algorithm library from the flagship H90. The original H9 became a staple for guitarists, bassists, producers, and sound designers thanks to its combination of Eventide’s legendary effects algorithms and compact pedalboard-friendly footprint. With the Gen 2 version, Eventide has significantly expanded the platform while maintaining the all-in-one approach that made the H9 so popular. At the heart of the H9 Harmonizer Gen 2 is a new ARM-based processing engine capable of running more advanced effects while delivering faster performance and improved workflow. The pedal ships with more than 74 algorithms, combining the complete H90 and H9 Max libraries into a single unit. Users also gain access to over 1,000 presets, with additional algorithms planned through future software updates. One of the headline features is Eventide’s latest polyphonic pitch-shifting technology. Powered by the company’s SIFT processing, the pedal includes advanced effects such as Polysynth, Polyphony, Polyflex, and Prism Shift, offering high-fidelity tracking for chords, harmonies, synth textures, and creative pitch manipulation. The H9 Harmonizer Gen 2 also expands into vocal processing with the Harmonizer+ Vocal Suite. When paired with Eventide’s Mixing Link interface (sold separately), users can access a range of vocal harmonizing and processing capabilities suitable for both live performance and studio applications. A major redesign has been applied to the user interface. The new pedal features a 2.5-inch display, dedicated button pads, and Quick Knobs designed to streamline navigation and editing directly from the hardware. Select, Bank, and Perform modes provide faster access to presets and live control, reducing dependence on external software. Connectivity has also been modernized with USB-C support alongside MIDI, auxiliary switch, and expression pedal inputs. Eventide notes that Bluetooth functionality will be added in a future update. Designed for both stage and studio use, the H9 Harmonizer Gen 2 offers instrument and line-level operation, flexible routing options, effects spillover, and a built-in tuner, making it suitable for everything from traditional pedalboards to more advanced performance and recording rigs. The Eventide H9 Harmonizer Gen 2 represents the most comprehensive version of the company’s iconic multi-effects platform to date, combining decades of Harmonizer heritage with the expanded capabilities of the H90 in a compact, performance-ready format. Expect to see the new Eventide H90 Harmonizer Gen 2 in stores later this June!