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A Vintage Legend, Reimagined for Today Behringer has recently released the Chorus Symphony pedal, a faithful recreation of the iconic Boss CE-1 Chorus Ensemble from 1976. The original CE-1 was the first standalone chorus pedal, capturing the lush chorus effect of the Roland Jazz Chorus amplifiers, and was used by artists like Andy Summers, Joe Satriani, and Nirvana. The Chorus Symphony features an all-analog Bucket Brigade Device (BBD) circuit, delivering the warm, multidimensional tones characteristic of the original. It offers both chorus and vibrato modes, with controls for adjusting speed, depth, and intensity. A High/Low input sensitivity switch and Level control allow for added versatility, enabling the pedal to accommodate various instruments and even introduce overdrive when desired. For connectivity, the pedal provides mono input and stereo outputs, creating a wide 3D stereo spread. An internal switch allows users to choose between true bypass and buffered bypass modes. The Chorus Symphony is going to be a very affordable option for those seeking vintage chorus and vibrato effects.

Behringer Revives the Funk! Behringer has just unveiled the B-TRON III Envelope Filter, a vintage-inspired pedal that brings back the iconic sounds of the ‘70s. Modeled after the legendary Mu-Tron III, a pedal that shaped the tones of artists like Jerry Garcia, Stevie Wonder, and Bootsy Collins, the B-TRON III delivers that signature “auto-wah” effect with style. Three filter modes—low-, band-, and high-pass—allow for deep vowel-like sweeps or crisp high-end bite, perfect for guitar, bass, and keyboards alike. The Range switch toggles between rich, deep tones and bright, overtone-heavy textures, while the Drive switch offers classic upward-sweeping wah or a unique “cocked” effect for a different take on funk expression. With Behringer’s track record of affordable recreations, the B-TRON III is set to make the classic envelope filter sound accessible to a whole new generation.