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Sire Marcus Miller V6 5-String – Bass Review

Modern Active Jazz with Vintage Character Disclaimer: This bass was kindly provided by Sire for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information. Introduction Sire has built a reputation for delivering professional-level instruments at prices that appeal to working musicians. The Marcus Miller V6 is their new active Jazz Bass model, positioned just above the more traditional passive V5. Sire was cool enough to send us a unit so we could see whether the V6 could combine the vibe of a vintage Jazz with the flexibility of a modern preamp, and if the extended low B string would hold up in live and studio contexts. TL;DR: The V6 is, in every sense, a workhorse bass. Specifications The V6 we tested was the 5-string version, with a hard maple neck and rolled fingerboard edges. It comes with a 34″ scale length, 46 mm nut width, medium frets, and a satin neck finish that feels broken-in straight out of the case. The electronics are really where this model stands apart: the Marcus Super-J Revolution pickups are paired with Sire’s Heritage-3 active preamp. This offers a 3-band EQ, active/passive switching, master volume, pickup blend, and a passive tone control. Hardware includes the Marcus Miller Modern-S Bass Bridge, a classic J-Bass style bridge and the Premium Light Weight Open Gear tuners, both solid, stable and super light. From the factory, the V6 ships with DR roundwound strings, ensuring brightness, clarity, and long life. It also comes with the Sire Official Gig Bag, a padded and durable case designed to keep the instrument protected during transport and storage — far more protective than typical entry-level gig bags. And as part of Sire’s lightweight philosophy, the bass tips the scales at just around 3.7 kg, making it especially gig-friendly. First Impressions Out of the box, the bass feels premium. The fretwork is clean, the rolled edges make the neck extremely comfortable, and the satin finish on the back of the neck encourages fast movement. It feels like a broken-in instrument from day one. One of the first issues we noticed was the balance. This new Sire series is clearly focused on being lightweight, and while that’s great for comfort, the lighter body does create a touch of neck-dive on the 5-string. It’s not a dealbreaker — with a strap it almost disappears — but it is there. Once you get used to it, the V6 is a breeze to play, and I’d happily take it through a 3-hour gig without breaking a sweat. Build Philosophy & Controls The V6 reflects Sire’s design philosophy: lightweight comfort with professional-level flexibility. The body is mahogany with a sandblasted ash top, giving it a boutique wooden look and texture. The C-shape maple neck is bolt-on, smooth, and extremely comfortable. The finish makes it feel like a broken-in neck from day one. Hardware leans vintage-inspired, but sustain and tuning stability are a given. And true to Sire’s style, you get a lot of control options: Master Volume/Tone Control, Pickup Blend, Mid and Treble, Bass control with active/passive push-pull. Tone & Performance In a 5-string, the first thing most players check is how well the low B balances with the other strings. On the V6, the low B is tight and articulate. It can sometimes feel a little hotter than the rest, but the difference is subtle and not disruptive. The active mode is where the V6 really shines. The bass feels super balanced, articulate, and robust. The 3-band EQ seems tailor-made for this bass, enhancing all the natural qualities of a Jazz-style instrument — punchy lows, articulate mids, and crystal-clear highs. In passive mode, the V6 is still very usable but feels more sterile compared to the P6’s passive voice or the V6’s own active character. It won’t disappoint, but it doesn’t reach the same level of personality. Comparisons Compared to the V5, the V6 is more versatile thanks to the preamp, and it’s better suited for players who need a wide tonal range. The V5 has the advantage in simplicity and pure vintage vibe. Against Fender’s Player Plus Jazz 5, the V6 holds its own — offering a sweepable mid EQ and a similarly tight B string, but lighter and at a more approachable price. It’s also a strong alternative to Yamaha’s BB735A, though the V6 captures a more authentic Jazz character. Pros & Cons Pros: super versatile and articulate in active mode; tight, usable low B string; wide tonal palette with Heritage-3 preamp; rolled fretboard edges and satin neck = immediate comfort; great value compared to competitors; ultra-lightweight at just around 3.7 kg. Cons: slight neck-dive due to lightweight body; passive mode feels less inspiring than active; single-coil hum possible in passive. Q&A Q: How does the low B string perform on the V6 compared to other 5-strings in this price range? A: The low B is impressively tight and articulate, with only a slight tendency to be hotter than the other strings. It holds up very well against competitors like the Fender Player Plus Jazz 5 and Yamaha BB735A. Q: Is the V6 too heavy for long gigs? A: Not at all. At just around 3.7 kg, the V6 is ultra-lightweight. There is a bit of neck-dive due to the lighter body, but with a strap it’s barely noticeable. Overall, it’s a very comfortable bass for long sets. Q: How versatile is the preamp and EQ section? A: Extremely versatile. The Heritage-3 preamp offers a 3-band EQ, giving you everything from classic Jazz growl to modern active clarity. Even small tweaks are very audible, making it a flexible tool for live and studio use. Conclusion The Sire Marcus Miller V6 5-String is a versatile and robust instrument that easily adapts to different genres. It truly shines in active mode, offering clarity, articulation, and power, while still maintaining a

News

IK Multimedia Unveils TONEX Bass Edition

A New Era of Bass Tone Modeling Modena, Italy — 30/09/2025 — IK Multimedia has announced the launch of the TONEX Bass Edition, the company’s first modeling pedal range designed specifically for bass players. Built with both stage and studio performance in mind, the new series delivers a dedicated collection of bass-optimized tone models, effects, and software integration—all inside rugged, gig-ready enclosures. At the heart of TONEX Bass Edition is the Signature Bass Collection, a meticulously curated library of 150 Tone Models. The collection captures the unique character of classic and modern bass amps, cabinets, and pedals, including legendary tube giants like the Ampeg SVT, Fender Bassman, and Orange AD200, as well as modern icons from Markbass, Gallien-Krueger, Trace Elliot, Tech 21, and Darkglass. Each model is created using IK’s new TONEX Modeler engine, which ensures exceptional clarity, punch, and authentic feel. A standout feature for bassists is the enhanced dry/wet in-phase blending, which maintains the power of clean low-end fundamentals while introducing grind, drive, or saturation for mix-ready tones that retain full presence in both live and recording settings. Two pedal formats are available: Both pedals feature IK Multimedia’s premium build: 24-bit/192 kHz audio processing, a massive 5 Hz–24 kHz response range, whisper-quiet operation, and a rugged aluminum chassis designed to withstand years of gigging. TONEX Bass Edition pedals come bundled with IK’s powerful software suite, including TONEX Modeler, TONEX Editor, AmpliTube 5, and the SVX bass collections. Players can also browse and download thousands of user-created Tone Models from ToneNET, expanding their tonal palette endlessly. “Bass players have always wanted more than just ‘guitar modeling adapted for bass,’” says the team at IK Multimedia. “TONEX Bass Edition is built from the ground up for the instrument, ensuring the clarity, depth, and feel bassists need both on stage and in the studio.” The TONEX Bass Edition pedals are available now, designed and crafted in Italy. Other IK Multimedia Gear You Might Like If you enjoyed checking out this IK Multimedia pedal, here are more IK Multimedia products worth exploring — all tested and reviewed here on BassGearReviews: – IK Multimedia Tonex Pedal – Amp Modeler + Interface – IK Multimedia Tonex One – Compact Amp Modeler + Interface – IK Multimedia Axe I/O One – Portable Interface – IK Multimedia Axe I/O – Feature Rich Interface

News

Boss Unveils the XS-100 and XS-1 Poly Shifters

A New Chapter in Pitch Control Boss has officially announced two new entries in its effects lineup: the XS-100 Poly Shifter and the XS-1 Poly Shifter, bringing advanced pitch-shifting capabilities to both flagship and compact pedal formats. Designed for both guitar and bass, these pedals aim to push real-time pitch control deeper — with more range, more flexibility, and cleaner tracking with fewer artifacts. XS-100 Poly Shifter — The Flagship Workhorse The XS-100 offers an impressive ±4-octave range, giving players a massive eight-octave span to explore. It includes a built-in expression pedal for smooth sweeping control, with the ability to set independent pitch-change speeds for upward and downward movements. This allows for effects that can resemble revving engines or controlled glides. A toe switch at the end of the pedal travel enables momentary pitch jumps, and players can assign different rise and fall times for creative results. Two onboard footswitches give quick access to semitone jumps or other functions across the full range, and the pedal holds 30 memory slots for storing favorite setups. Additional customization includes reassignable switches, compatibility with external footswitches or expression pedals, MIDI integration, and a secondary output for parallel routing. Most importantly, Boss claims the XS-100 runs on a newly developed DSP platform designed to suppress artifacts and preserve clarity, even with complex chords and wide-interval shifts. For bassists, this could mean clean tracking across the low end, smooth sub-octaves, and expressive sweeps without losing punch or definition. XS-1 Poly Shifter — Compact Power The XS-1 brings a simpler approach in a smaller form factor. It offers up to ±7 semitones of shifting in semitone mode, or a full ±3 octaves in octave mode. Controls are pared down to two knobs — one for balancing the dry and shifted signal, and one for selecting the shift interval. A detune mode is included for chorus-like doubling effects. Despite its compact size, the XS-1 supports external footswitches and expression pedals, letting players add flexibility and pitch-bending control. Like the XS-100, it benefits from the same new pitch-tracking algorithms aimed at delivering clean, artifact-free performance. Pricing and Availability The XS-100 will retail at $349.99, while the XS-1 will come in at $199.99. Both are scheduled to begin shipping in October 2025. Conclusion With these two new pedals, Boss is making a strong statement in the world of pitch-shifting. The XS-100 is designed for players who want maximum control and versatility, while the XS-1 delivers the essentials in a compact, straightforward package. For bassists and guitarists alike, both pedals open the door to new creative possibilities, from subtle harmonies to dramatic pitch sweeps. Whether you need a full-featured pitch workstation or a streamlined solution for retuning and layering, the XS series looks set to become an exciting new option on the market. Want to See More Boss Products? Check out our other reviews of standout pedals from the Boss lineup:

Reviews

Flamma FB200 Bass Multi-Effects – Portable & Affordable: Pedal Review

Portable, Affordable & Feature-Packed Multi Effects Processor for Bass Players Disclaimer: This pedal was kindly provided by Flamma Innovation for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information. Introduction Bass players increasingly want compact, all-in-one tools that work at home, in the studio and on a small stage. The Flamma FB200 attempts to be exactly that: amp and cab sims, effects, IR support, drum machine, rechargeable battery, Bluetooth streaming — all squeezed into a pocketable pedalboard unit. It’s affordable, portable and surprisingly capable. This review digs into the features, sound and workflow, and corrects earlier confusion about the two operating modes so you can plan exactly how to use the unit in rehearsal and onstage. TL;DR The FB200 packs a lot for the money: 20 amp/cab models, 9 user IR slots, 19 effects, 40 presets, a drum machine, Bluetooth and a rechargeable battery. Great for practice, travel and small gigs; not a substitute for top-tier modelers if you require studio-grade amp fidelity. Check Price on Amazon –> Design & Controls Dimensions: 311 × 67.5 × 49.7 mm. Weight: ~578 g. The FB200 is compact but laid out with 16 dedicated knobs, four multi-purpose footswitches and a three-character display. The chassis feels solid for its class and an ambient LED strip is included (can be muted). Inputs/outputs are straightforward: ¼″ in, headphone out, USB-C for power/data and Bluetooth 5.0 for streaming backing tracks. Core features Working modes This is important for workflow planning: Why this matters: use Live Mode to craft and refine tones (and save them), then switch to Preset Mode for stage reliability and fast preset recall. Sound & performance Amp sims are practical and musical: cleans are articulate, drives are usable and respond well to attack and dynamics. On their own they’re practical rather than hyper-authentic; loading IRs is the quickest way to lift cabinet realism. Effects are solid for the price — compressors and EQ are particularly useful for bass duties; modulation and reverb are competent and tasteful. No problematic latency was heard; changes and saved patches behave predictably. Usability & workflow The 16 knobs mean you can often avoid menus entirely — great for Live Mode tweaking. The small display keeps things simple in Preset Mode (preset number/name) but won’t replace a large editor screen for deep patch management. The combination of Live and Preset modes lets you adopt a studio→stage workflow: design in Live Mode, save, then switch to Preset Mode for the gig. Battery, portability & recording The internal battery makes the FB200 ideal for busking, travel and home practice. USB-C charging and OTG recording make it easy to capture DI takes without extra gear. For extended multi-set nights you’ll want external power as backup. Pros & Cons Pros Cons FAQs Q: Which mode should I use onstage?A: Use Preset Mode for onstage performance — it’s designed for fast, reliable preset switching. Use Live Mode during soundcheck or when you need to tweak parameters and save new presets. Q: Can I create and save a new preset on the fly?A: Yes — switch to Live Mode, tweak parameters, then save the changes as a new preset. After saving, switch back to Preset Mode for recall during performance. Q: How good are the IRs and how many can I store?A: IR support is a major strength; you can store 9 user IRs. Quality depends on the source IRs you load — high-quality third-party IRs significantly improve realism. Q: Is the FB200 suitable for recording DI bass?A: Yes. USB-C OTG allows direct recording to a computer or compatible mobile device, making the FB200 a good DI solution for demos and home recordings. Q: Will the battery change the tone?A: No audible tone change was noted between battery and USB-powered use in routine testing. Keep the battery charged for consistent performance. Conclusion The Flamma FB200 is a practical, well-thought-out multi-effects solution for bassists who need portability, hands-on control and a broad feature set without a pro-level price tag. The corrected mode behavior — Preset Mode for fast switching and Live Mode for full parameter access and saving — gives you both the stage reliability and the creative flexibility many players want. If you’re a student, commuter, gigging musician needing a compact rig, or someone who likes to tweak sounds and store the best ones for performance, the FB200 is an excellent value. For more information: Official product page — Flamma FB200 Product PageFor international availability and shipping details: Flamma Worldwide Shipping Get your Flamma FB200 today on Amazon!

Sterling Bongo
News

Sterling by Music Man Introduces the Bongo Bass

The Music Man Classic on a New Affordable Version Sterling by Music Man is proud to announce the release of the Bongo, a modern classic reimagined for a wider range of players. Long celebrated for its distinctive design and bold sound, the Bongo is now available in both 4- and 5-string configurations at an accessible price point—bringing its signature style and performance to a broader audience. Comfort Meets Performance The Bongo has always been known as a player’s instrument, blending ergonomic comfort with uncompromising expression. Featuring a roasted maple neck paired with a rosewood fingerboard, it delivers a smooth, responsive playing experience. The bass’s sleekly contoured body and deep cutaways provide effortless upper-fret access, making it as comfortable on stage as it is in the studio. Versatile Electronics At the heart of the Bongo’s tone is its HH dual humbucker pickup configuration, complete with a pickup blend control and a 2-band active EQ. This setup ensures powerful, punchy lows, articulate highs, and a wide tonal palette that adapts to any style or genre. Whether anchoring the groove or cutting through the mix, the Bongo is ready to shape the perfect tone. Defy the Norm Visually, the Bongo has never been afraid to break the mold—and the Sterling by Music Man version continues that tradition. With its bold, sleek finishes and color-matched headstock, the instrument exudes a modern aesthetic that’s built to stand apart on any stage. Available Now The Sterling by Music Man Bongo is available immediately in 4- and 5-string models, offering players more options to match their musical needs. With its combination of comfort, versatility, and unique style, the Bongo delivers everything bassists have come to love—now in a more accessible package. For more information, visit Sterling by Music Man’s official website.