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Boss CS-2 Compressor Sustainer
Reviews

Boss CS-2 Compressor Sustainer

Classic Compression For Modern Players Compression is an essential tool on any bass player’s pedalboard. Today, we have access to incredible options like the Origin Effects Cali76 or the Empress Bass Compressor. But things weren’t always this advanced, and today, I want to talk about one of my favorite compressors of all time—the Boss CS-2 Compressor Sustainer. The Boss CS-2 is not a flashy pedal. It lacks the dedicated fine-tuning controls found in modern compressors. It’s not a compressor/limiter; rather, it’s a compressor/sustainer. A compressor/limiter is designed to prevent peaks from exceeding a set threshold, acting as a hard stop to control volume spikes. It typically has a high ratio (10:1 or more), making it ideal for keeping levels consistent and preventing sudden jumps in volume. A compressor/sustainer, on the other hand, smooths out dynamics without completely limiting peaks. It reduces the difference between loud and soft notes, ensuring a more even output while adding sustain. This type of compression is often used to enhance note clarity and sustain in both guitar and bass setups. My personal Boss CS-2 Understanding the CS-2 Through Its Manual Since I lost the box for my personal CS-2 long ago, I searched the internet for a copy of the original manual. Given that the pedal was released in 1981, I thought it would be interesting to look at what Boss originally said about its design and function. According to the manual: “CS-2 is a low-noise type effect providing long sustain with attack volume. It can adjust picking force widely and provides any drive sounds. As having a wide range of maximum input level and compression, it can be used for any electronic musical instruments. In addition, CS-2 can be used for an ordinary limiter by turning down sustain volume.” Not the clearest explanation, I know! But let’s break it down. How the Boss CS-2 Works The CS-2 compresses louder signals and boosts softer signals, resulting in a more balanced output. At the same time, it extends note sustain, making them ring out longer. When combined, these two functions create a smoother, more controlled sound that enhances a player’s dynamics. CS-2 Controls The CS-2 features a simple three-knob layout: The Sustain control is particularly interesting. The manual states: “The sustain control provides adjustment to the compression range. When set at the full clockwise position, sustain is longest. When turned counterclockwise, compression increases, allowing the unit to limit the output level. This is particularly useful for adding punch to a guitar, bass, or electric piano.” The CS-2 in Action Over the years, bassists like Juan Alderete and Janek Gwizdala have been known to use the CS-2. While it can be somewhat noisy compared to modern compressors, its characteristic warmth and harmonic enhancement make it a favorite among players looking for a smooth yet punchy tone. So, why does the CS-2 sound so unique? Essentially, it rolls off some of the high frequencies, which results in a warmer and smoother tone. This tonal character likely comes from its analog circuitry and specific component choices, as the newer CS-3 does not have the same sonic qualities. The CS-3 is cleaner and more transparent, but many players still prefer the CS-2’s coloration. Conclusion The Boss CS-2 is a true classic that has stood the test of time. Used by bass legends, it’s a go-to pedal for those looking to enhance their tone, add sustain, and smooth out their dynamics. It’s not a transparent compressor—it has a distinct character that adds warmth and thickness to your sound. While it’s not the quietest pedal out there, it shines in rock, funk, and live settings where its punch and sustain truly come alive. If you’re after a compressor that adds musicality rather than simply controlling levels, the CS-2 is a fantastic choice.

EHX Bass Micro Synth
Reviews

EHX Bass Micro Synth: Pedal Review

A Legacy of Sonic Exploration The Electro-Harmonix Bass Micro Synth is a legendary pedal that has remained relevant for decades, largely due to its ability to create analog synth sounds without the need for a keyboard or additional gear. Originally introduced in the late 1970s alongside its guitar-focused sibling, the Micro Synth, this pedal was an innovative take on merging guitar effects with the booming world of synthesizers. At a time when bass players were exploring new textures beyond the traditional amp-and-bass setup, the Bass Micro Synth allowed musicians to tap into the massive, synth-driven sounds that were gaining traction in funk, R&B, rock, and eventually gospel. The pedal’s ability to produce Moog-like tones, fuzzed-out leads, and deep, resonant filters made it a unique tool that stood out against traditional bass effects like chorus, overdrive, or envelope filters. Despite the rise of digital multi-effects and synth pedals with modern processing power, the Bass Micro Synth has retained a devoted following. Why? Because it’s one of the few fully analog synth pedals for bass that delivers a truly organic, responsive, and warm sound. Unlike digital synth pedals that rely on tracking and MIDI-style processing, the Bass Micro Synth manipulates the actual bass signal in real time, giving it a raw, unfiltered quality that digital emulations struggle to replicate. Moreover, its hands-on control offers bassists a chance to shape their tone with precision rather than relying on presets. That level of customizability and warmth keeps this pedal relevant, even in the age of advanced DSP-based effects. The Gospel Legacy The gospel music scene has long been known for pushing the boundaries of bass playing, with bassists often serving as melodic, harmonic, and rhythmic anchors all at once. The Bass Micro Synth has found a home in this world because it delivers fat, synthy bass lines reminiscent of classic gospel recordings, where keyboard bass and Moog-style textures played a crucial role. Bassists like Justin Raines, Sharay Reed, and Thaddeus Tribbett have incorporated synth-like tones into their playing, often mimicking keyboard bass or creating massive, soaring lead sounds during high-energy gospel jams. The Bass Micro Synth is particularly useful in modern gospel because: Breaking Down the Controls & Sound Design The Bass Micro Synth has a series of sliders that shape its tone. Unlike other synth pedals with menu diving, it provides a direct and tactile approach to tweaking sounds. Sonic Possibilities The Electro-Harmonix Bass Micro Synth can do a lot more than just create classic synth bass tones. Here’s a breakdown of some of its standout sounds: Final Verdict The Electro-Harmonix Bass Micro Synth is a timeless pedal that continues to be relevant due to its pure analog warmth, hands-on controls, and ability to create massive synth tones without losing the natural feel of bass guitar. Whether you’re a funk player, a gospel bassist, or an experimental musician, this pedal can unlock a world of creative potential. While modern alternatives exist, few capture the raw character and versatility of the original. If you’re looking to add a synth edge to your bass playing while keeping an organic feel, the Bass Micro Synth is still one of the best options out there.

Electro-HArmonix Bass Clone
Reviews

Electro-Harmonix Bass Clone Chorus: Pedal review

A Look at the Electro-Harmonix “Clone” Legacy Electro-Harmonix (EHX) has a long-standing reputation for producing some of the most iconic effects pedals in music history. One of their most famous designs is the Small Clone, an analog chorus pedal that gained widespread recognition, in part due to Kurt Cobain’s use of it with Nirvana. The Clone Theory, another EHX chorus pedal from the 1970s, was also known for its rich modulation and was used by legendary bassists like Peter Hook of Joy Division and New Order. The Bass Clone takes inspiration from this lineage, tailoring the classic EHX chorus sound specifically for bass players. By tweaking the circuitry to maintain clarity and low-end punch, EHX has created a chorus pedal that adds depth and dimension without sacrificing the fundamental bass frequencies. Why Chorus is an Iconic Bass Effect Chorus is one of the most beloved effects in bass history, particularly in post-punk, new wave, and alternative rock. It thickens and widens the sound by modulating the signal and blending it with a slightly delayed and pitch-modulated version. This creates a shimmering, wave-like effect that enhances melodic playing and adds movement to sustained notes. Bassists such as Peter Hook, Duff McKagan, and Juan Alderete have famously used chorus to define their unique tones. Chorus is especially useful in three main contexts: Exploring the Bass Clone’s Controls The Bass Clone is a simple yet powerful pedal, offering a range of tone-shaping options tailored for bassists. Here’s a breakdown of its controls: How It Performs The Bass Clone delivers lush, analog chorus tones that work exceptionally well in a variety of musical settings. It retains the fundamental strength of a bass signal while adding spaciousness and movement. The crossover switch is particularly useful, as it ensures that the effect doesn’t interfere with the essential low-end frequencies. Whether you’re playing intricate melodies, ambient passages, or thick, driving basslines, the Bass Clone enhances your tone without overwhelming it. Final Thoughts For bassists looking to explore chorus without losing low-end clarity, the Electro-Harmonix Bass Clone is an outstanding choice. It combines the legendary EHX chorus sound with modern features tailored for bass, making it a versatile and affordable addition to any pedalboard. Whether you’re aiming for post-punk atmospherics, grunge-inspired modulation, or just a touch of extra warmth in your sound, the Bass Clone is a pedal worth considering.

TC Electronic Plethora X1
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TC Electronic Plethora X1: Pedal Review

The Evolution of TC Electronic’s TonePrint Technology TC Electronic has been a key player in the world of digital effects, known for its groundbreaking TonePrint technology. Introduced over a decade ago, TonePrint allowed musicians to load signature artist presets into their pedals via USB or smartphone. This innovation gave players access to high-quality, customizable effects without needing to deep-dive into complex programming. Building on this technology, TC Electronic introduced the Plethora X5, a multi-effects pedal that housed five virtual TonePrint pedals in one compact unit. It was a game-changer for guitarists and bassists alike, offering flexibility, deep editing, and a pedalboard-like experience without the clutter of multiple individual pedals. Following the success of the X5, TC Electronic introduced the Plethora X3, a mid-tier option that allows users to run three TonePrint effects simultaneously. The X3 offered a balance between flexibility and size, catering to players who needed more than one effect at a time but didn’t require the full power of the X5. The Plethora X1 is the latest evolution in this line, condensing the power of its predecessors into a single-slot format. While it lacks the multi-pedal capability of the X3 and X5, it offers a more compact and budget-friendly way to access TC’s premium effects, making it an appealing choice for bassists looking to enhance their tone without overcomplicating their setup. Features and Functionality The Plethora X1 is essentially a single digital pedal slot that can be loaded with any TC Electronic’s TonePrint-enabled effects. It retains the high-quality processing and customization that made the X5 and X3 popular but in a more streamlined package. Key Features: Available Effects Plethora X1 functions as a dedicated TonePrint loader, giving bassists access to a wide range of effects, including: Why It’s a Great Choice for Bass Players Many multi-effects pedals cater primarily to guitarists, but the Plethora X1 is versatile enough to benefit bassists in several ways: Final Verdict The Plethora X1 is an excellent option for bassists who want a compact, powerful effects unit with deep customization. While it lacks the multi-slot capability of the Plethora X5 and X3, it makes up for it with affordability, portability, and the ability to swap between any of TC’s top-tier effects at will. Whether you’re looking to add subtle depth with a chorus, tighten up your dynamics with compression, or experiment with ambient delays and reverbs, the X1 is a flexible and valuable tool for any bass player’s rig.

Epiphone Grabber
Reviews

The Epiphone Grabber Reissue: Bass Review

A Modern Take On A Classic Design Very few basses scream “70’s Rock!!!” like the Gibson Grabber! For decades, musicians have asked Gibson to release an affordable version of the Grabber – which commanded prices above 3K in the secondary market. In late 2024, Epiphone, Gibson’s more affordable sub-brand, reintroduced the Grabber, modernizing some aspects while maintaining its vintage aesthetic. The Epiphone Grabber Bass Reissue pays homage to the original Gibson Grabber, a bass that first appeared in 1973 as Gibson’s response to the Fender Precision Bass. Known for its bold design, affordable construction, and distinctive sliding pickup, the Grabber became a go-to instrument for rock and punk musicians throughout the ‘70s and beyond.  Disclaimer: This bass was kindly provided by Gibson for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information. A Brief History of the Gibson Grabber During the early 1970s, Gibson sought to develop a cost-effective bass to compete with Fender’s dominant models. The company introduced three basses in quick succession: The Grabber (1973) – Known for its sliding single-coil pickup, which could be positioned closer to the neck for a warmer tone or toward the bridge for a brighter, punchier sound. The G-3 (1975) – A variation with three single-coil pickups wired in a hum-canceling configuration. The Ripper (1973) – A high-end bass with a two-pickup setup, designed with more tonal flexibility. The Grabber quickly gained popularity because of its aggressive midrange growl, affordability, and simple yet effective design. Design and Build The Epiphone Grabber Reissue maintains many design elements of the original but introduces some key changes: Feature Original Gibson Grabber Reissue Epiphone Grabber Body Wood Maple Alder Neck Bolt-on Maple Bolt-on Maple Fingerboard Maple (or Rosewood on some models) Maple Bridge Basic 3-point Adjustable Grabber-style 4-string Bridge Controls 1 Volume, 1 Tone 1 Volume, 1 Tone, Coil-Splitting Switch The Epiphone Grabber features a C profile neck, with a 12.5 inch fingerboard radius, 34 inch scale length and 20 frets. Weighs around 4kg, so it’s a very lightweight bass, thanks to its 3-piece alder body. The biggest tonal difference between the original Gibson Grabber and the Epiphone reissue is due to the pickup system. While the coil-splitting feature adds versatility, it doesn’t fully replicate the tonal shifts of the original sliding pickup. Some players may miss the dynamic range that came from physically moving the pickup. Playability and Performance When I first picked up the Epiphone Grabber, there were a couple of features that stand out: Slim, fast-playing neck – The C-profile maple neck makes navigating up and down the fretboard a breeze. Lightweight alder body – More comfortable than the original maple-bodied version. Good sustain and resonance – The fixed humbucker captures some of the original’s punch but lacks its flexibility. This bass is an absolute joy to play with a pick! I’d even say it’s the closest to a perfect rock bass I’ve played in a long time. However, I also noticed a couple of drawbacks: Neck Dive – Just like the original, the reissue has a long neck and a lightweight body, which can cause the headstock to dip when playing standing up. Limited Tonal Control – Without the sliding pickup, players have fewer ways to fine-tune their sound beyond the coil split. Conclusion The Epiphone Grabber Reissue successfully recaptures the spirit of the original while making some modern adjustments. However, the lack of the sliding pickup is a significant change, not only altering its tonal range compared to the vintage model, but also some of its character and originality. While it may not fully satisfy hardcore Grabber purists, it’s still a solid, stylish bass with a punchy sound, making it a great option for rock, punk, and alternative bass players looking for something different. Summing up: Pros✅ Classic Grabber aesthetics✅ Comfortable neck and lightweight body✅ Coil-splitting feature for some tonal variety✅ Affordable alternative to vintage models Cons❌ No sliding pickup = less tonal flexibility❌ Some neck dive issues❌ May not fully satisfy vintage Grabber fans Would I recommend it? If you’re looking for a vintage-styled rock bass that stands out from the usual Fender P and J basses, then absolutely yes! However, if you’re after the exact sound and mojo of the original Grabber, you might be a bit disappointed.